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CHICKENS IN THE ROAD

AN ADVENTURE IN ORDINARY SPLENDOR

The book provides back story for McMinn’s blog, allowing a deeper, humorous look into the rewards and challenges of her...

Romance writer McMinn’s story of how she moved her family to a slanted little house in backwoods West Virginia following her divorce.

There, she connected with her father’s family’s 200-year history in Appalachia, and they provided stability and a resource of rural knowledge for the author. Plucked from the suburbs, McMinn wanted to live where she “could find chickens in the road.” She created a blog (chickensintheroad.com) featuring step-by-step instructions for recipes, country living and crafts, all documented with stunning photography. McMinn fell in love with a local man, whom she dubs “52,” his age when they met, and together, they bought a 40-acre farm with the idea of living off the land. In hindsight, she realizes the farm was “one of the most inhospitable, inaccessible, and unmanageable pieces of land on the planet.” And yet, “I loved that cold, muddy, hard life.” The farm presents countless challenges for the author, including creeks running under her unbridged road, slow-driving neighbors, and the farm’s icy, steep driveway. Winter also means power outages, cramped quarters and cold morning chores. McMinn balances tending goats, cows, sheep and chickens with raising her three children and dealing with an increasingly sullen partner. The book follows the arc of her romance with 52, from fluttery first kiss to the stage where McMinn knows she needs to leave him but can’t run the farm on her own. Meanwhile, readers learn how to make soap, test a cow for pregnancy and create tasty goat cheese. The book concludes with recipes for rural delicacies such as stuffed squash blossoms and summer vegetable pie and a section for making natural crafts and health products.

The book provides back story for McMinn’s blog, allowing a deeper, humorous look into the rewards and challenges of her rural life.

Pub Date: Oct. 15, 2013

ISBN: 978-0-06-222370-8

Page Count: 320

Publisher: HarperOne

Review Posted Online: July 20, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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