by Suzanne Slade ; illustrated by Don Tate ‧ RELEASE DATE: Nov. 10, 2020
From beginning to end, fans will feel connected to the dynamic style of the Globetrotters and how they influenced American...
Five serious African American basketball players with no opportunity to play in the top teams due to the racism of the 1920s took their basketball skills on the road, calling themselves the Harlem Globe Trotters (they became the Globetrotters sometime in the ’30s). White America had a hard time coping with the Trotters’ beating their teams—until the Trotters changed the way they played. They turned their games into theatrics, emphasizing slapstick and hilarity while at the same time honing their skills till “they played the most breathtaking, groundbreaking ball the country had ever seen.” In 1948, Globetrotters finally got an opportunity to challenge the Minnesota Lakers, the best team in the Whites-only NBA. The Globetrotters’ win caused the entire NBA to reconsider their recruitment policy. Slade has done careful, thorough research, easily engaging young readers as they learn about the Globetrotters’ groundbreaking history. Veteran illustrator Tate creates constant movement, visually underscoring the title with dynamic (sometimes impossible) perspectives and basketballs caught in stop-motion fashion as they fly across the court. Robust backmatter bolsters the account, including a detailed timeline that’s thoughtfully printed on the inside pages of the endpapers so that pasted-down jacket flaps will not obscure any of it.
From beginning to end, fans will feel connected to the dynamic style of the Globetrotters and how they influenced American history. (further information, artist’s note, selected sources, photos) (Informational picture book. 4-8)Pub Date: Nov. 10, 2020
ISBN: 978-0-316-48167-0
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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by Hannah Eliot ; illustrated by Alina Chau ‧ RELEASE DATE: Dec. 11, 2018
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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