A stylish parable about the disconnect between inner and outer worlds.
A woman attempts to reign in her trickster friend in Leonie’s debut novel.
Since childhood, Elodie Ginsberg has been preoccupied with the circus. The 25-year-old illustrator is happiest when painting trapezists and acrobats. She spends each day in conversation with her mysterious friend Boris—a chaotic, childlike clown who’s been her constant companion since kindergarten. Although Boris seems to understand Elodie in a way that her hard-to-please mother never has, he also creates problems of his own. In the book’s opening chapter, for instance, Elodie must rescue Boris from a nearby pond, where he nearly drowns attempting a Harry Houdini–inspired escape trick. Things change when someone new moves into the house next door: a handsome, if standoffish, former professional cyclist named Ivan Lennard. Elodie is excited to have another relatively young person in the mostly elderly neighborhood—she inherited her house from her grandmother—and after an initial, unsuccessful attempt to befriend Ivan, Elodie shows up at his door with lasagna and a mango cake to welcome him to the cul-de-sac. She thinks she can break through Ivan’s shell, but it seems that Boris is bent on sabotaging things with his antics. Can Elodie overcome the intrusive Boris to forge a lasting human connection? Over the course of this novel, Leonie writes with a buoyant, offbeat prose style that effectively evokes the carnivalesque reality in which Elodie and Boris dwell. Here, for instance, Elodie is overwhelmed upon winning second place in an art competition: “I think someone’s talking to me, but I feel like I’m under water and have a tail instead of feet and gills where my ears used to be. I can’t process what they say, and I waddle. Eventually someone presses a sash, a check, and a gift card for a craft store in my hands.” Readers who can tolerate the deliberately maddening Boris will find much to enjoy in this mercurial novel, which shrouds an affecting tale of loneliness and longing in lively whimsy.
A stylish parable about the disconnect between inner and outer worlds.Pub Date: May 5, 2024
ISBN: 9789083370170
Page Count: 217
Publisher: Fidessa Literary B.V.
Review Posted Online: Dec. 30, 2024
Kirkus Reviews Issue: Feb. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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