A debut novel that offers a slightly unsettling look into the lives of two women who are just beginning to understand one...
Roche’s first novel has the quirkiness one would expect from a singer in a group whose fans consider them to be down-to-earth music royalty.
The Saints in the title refer to daughter Mary and mother Jean, who live both miles and worlds apart. Mary skipped out from under her abusive father’s thumb when she was a teenager, leaving behind Swallow, N.Y., where she felt stifled and repressed. Later, the mother who failed to protect either her daughter or herself from Bub’s attacks puts her failing husband in a nursing home and moves to a new place, but she and Mary have not seen one another in years. Now Mary’s career as an alternative rocker with hits like “Sewer Flower” and “Feet and Knuckles” to her credit is over, dying along with her lover, Garbagio. She’s landed in San Francisco with an endearing and practical black transvestite named Thaddeus, a bedraggled dog and a fear that people will recognize her and see the failure in her eyes. Jean, on the other hand, remains in Swallow, troubled by a request from a high-school teacher who wants to bring Mary back to play a concert at the high school where she was miserable. To everyone’s astonishment, Mary agrees to do the concert for a ridiculous amount, and her impending trip causes ripples that turn into waves in everyone’s lives. Roche, who knows a thing or two about word slinging, writes with a fine ear, attuned to the rhythm of the language. Although the characters are off-kilter enough to be interesting and compelling enough to be sympathetic, there is, alas, lots of filler in the form of some of the minor characters, like the pedophilic teacher who brings Mary back to town. Like extra verses of a song that no one ever bothers to sing, Roche’s book stretches to add details that are neither important nor very interesting.
A debut novel that offers a slightly unsettling look into the lives of two women who are just beginning to understand one another.Pub Date: Jan. 17, 2012
ISBN: 978-1-4013-4177-0
Page Count: 272
Publisher: Voice/Hyperion
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Nov. 15, 2011
BOOK REVIEW
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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