Though slightly programmed around action-blockbuster tropes, this harrowing cyber–pulp fiction brings the thrills.
As a synthetic plague causes more and more humans to be implanted—“immunized”—with mind-control chips, ex-cop Jake “Jackhammer” Travissi, who survived his own digital zombification, fights the global conspiracy with his dwindling allies.
The middle volume in author Davison’s cyberpunk God Head trilogy, after State of Mind (2011), sees LA cop Jake Travissi returning to a fearfully warped civilization in 2035 after having taken a sabbatical when he was reluctantly implanted with a neurological Chip that gave him enhanced crime-fighting mojo, information access and altered perceptions. The Chip also made him and fellow lawmen susceptible to a conspiracy of “God Head” hackers, turning them into mind-controlled assassins. Through superhuman willpower, Jake cut his own Chip from his head in the last book, but he was still powerless to prevent the murders of those closest to him. Now, vacationing on the resort-continent Antarctica with his fiancee, Jake is plunged back into violence and techno-intrigues by the worldwide unleashing of a deadly, genetically modified virus called MaxWell. The only alleged defense against it is mandatory Chip implantation—rushed into practice by assorted world governments and the elite Consortium puppet masters behind them—that threatens to turn everyone into mindless “Pin Heads.” Vocal Christian and Muslim religious sects oppose the Chipping of humanity, yet evidence suggests that they may be heavily involved in terror plots against Travissi’s newfound allies, husband-and-wife Indian researchers seeking a MaxWell cure despite betrayals and impossible odds. Davison, also a screenwriter, writes on a broad canvas, with action hopping across hemispheres, corpses piling up in the millions and even nuclear weapons in play. Yet the Jackhammer (and his wonder dog, Lakshmi) stays as invulnerable as a Tom Cruise action hero, complete with six-pack abs—though there’s a potentially sinister explanation for his survival floated near the denouement. Amid the apocalyptic future-shock vibe of a desperate world engulfed by corrupt, out-of-control technological advances, Davison’s knack for crackerjack storytelling and dialogue holds the mayhem and melodrama together.
Though slightly programmed around action-blockbuster tropes, this harrowing cyber–pulp fiction brings the thrills.Pub Date: Oct. 16, 2012
ISBN: 978-0985552824
Page Count: 406
Publisher: Bedouin Press
Review Posted Online: Oct. 24, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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