by Sydney Smith ‧ RELEASE DATE: Sept. 3, 2019
Extraordinary, emotional, and beautifully rendered.
A child navigates the city’s relentless sights and sounds.
The child, light-skinned but with race and gender ambiguous under layers of winter outerwear, pulls the stop-request string inside the bus and trundles into the midtown maw. A savvy kid, but so small within the double-page spread of skyscrapers, commuters, stoplights, and construction. Text appears in the white space between buildings, “I know what it’s like to be small in the city.” Young readers will feel their hearts constrict, as they all know what it’s like to confront a towering, intimidating world. Hand-drawn frames, presented in quadrants, contain both powerful close-ups and wider scenes (taxi taillights, crosswalks, chain fencing, the child’s bobbing pom-pom) that mark time and distance. A page turn delivers full-page pictures of the looming city, with dizzying linework and detail. Cinematic scenes feel at once atmospheric and photorealistic. With snow accumulating and light dwindling, the narrator gives voice to the reader’s concern: “People don’t see you and loud sounds can scare you, and knowing what to do is hard sometimes.” This incisive language distills the hardest part of childhood: the precarious hold small people have on their own agency. A brilliant narrative twist reveals itself at the end of this tender picture book, which stretches readers’ concern painfully as the voice begins warning of dark alleys and dogs, and points to warm churches and free food.
Extraordinary, emotional, and beautifully rendered. (Picture book. 6-10)Pub Date: Sept. 3, 2019
ISBN: 978-0-8234-4261-4
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: June 29, 2019
Kirkus Reviews Issue: July 15, 2019
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by Claudia Mills ; illustrated by Rob Shepperson ‧ RELEASE DATE: June 14, 2016
Another winner from Mills, equally well suited to reading aloud and independent reading.
When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.
As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?
Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-374-30223-8
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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