Like the giant alien artifact in the story, this novel is so much more than the sum of its parts—a page-turner of the...
This stellar debut novel—revolving around a top-secret project to assemble the ancient body parts of a giant humanoid relic buried throughout the world by aliens—masterfully blends together elements of sci-fi, political thriller and apocalyptic fiction.
The story begins in the Black Hills of South Dakota, where a young girl named Rose Franklin falls into a huge hole and literally lands in the palm of a giant metal hand. The government gets involved, but after failing to glean any military or technological secrets from the alien artifact, the hand eventually goes into storage. Years later, after the project is demilitarized, the University of Chicago takes over the research. The head of the project is no other than the South Dakota girl who fell into the hand—now grown and an acclaimed physicist. When other body parts are discovered throughout the country—and the world—Franklin’s formidable task is to somehow secretly unearth all parts, covertly remove them from their locations and transport them to an underground facility in Denver. But when the rest of the world discovers the plan, paranoia, fear and greed run rampant, pushing humankind to the brink of world war. Because the novel is narrated through a series of interviews, personal journals and mission logs, the grand-scale storyline immediately becomes intimate as readers experience the historic events through the eyes of characters like Franklin; Kara Resnik, a U.S. Army pilot tasked with finding a way to “drive” the robot, which may or may not be a colossal weapon of mass destruction; and Vincent Couture, a Quebecois linguist whose mission is to make sense of the alien symbols on panels found with some of the body parts.
Like the giant alien artifact in the story, this novel is so much more than the sum of its parts—a page-turner of the highest order!Pub Date: April 26, 2016
ISBN: 978-1-101-88669-4
Page Count: 320
Publisher: Del Rey
Review Posted Online: Sept. 4, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Review Program: Kirkus Indie
PROFILES
PERSPECTIVES
From the author of The Wasp Factory and Walking on Glass: a voluminous, sometimes exciting space-opera where character motivations are the most troubling of several knotty problems. Two far-future galactic empires are at war: the Earth-derived Culture, tolerant, unwarlike, vaguely communistic, is ruled by Minds, artificial intelligences of imponderable power and scope; the Idirans, bulky, three-legged alien conquerors who have made warfare into a religion, are implacably opposed to the Minds. Horza, a genetically engineered human with shape-shifting abilities, sides with the Idirans because he prefers biologicals to machines. His mission—numerous adventures intervene—is to capture a disabled Mind that has taken refuge in some ancient tunnels on a Planet of the Dead. In pursuing the Mind, Horza finds himself fighting the same Idirans who are supposed to be his allies. The mechanics of all this haven't been thought through—Horza's adventures, for instance (actually short stories tacked on), eclipse his supposedly supremely important mission. Neither does his decision to fight for the brutal, fanatical Idirans against the vastly more civilized and appealing Culture add up. And we never learn what the Minds do, or what the Idiran religion consists of. Overextended and jarring, then, but imaginative and gripping in places.
Pub Date: May 3, 1988
ISBN: 031600538X
Page Count: -
Publisher: St. Martin's
Review Posted Online: Sept. 17, 2011
Kirkus Reviews Issue: April 15, 1988
BOOK TO SCREEN
An engrossing and fast-paced read that doesn’t hit the mark it aims for.
The relationship between a young debtor and the trillionaire who owns him serves as a parable for the ills of capitalism.
Debut novelist Szpara imagines an only slightly more dystopian United States than the one that exists today, in which the wealth gap has grown so large that the country is more or less split into trillionaires and debtors. Debtors inherit their family's debt, increasing it exponentially over time. To pay it off, many sign up to become slaves for a predetermined amount of time, with the “choice” to inject a drug called Dociline that turns them into a kind of blissful zombie who has no memory, pain, or agency for the duration of their term. The drug is supposed to wear off within two weeks, but when Elisha Wilder’s mother returned from her debt-paying term, it never did, leaving her docile indefinitely. To resolve the rest of his family’s debt, Elisha becomes a Docile to none other than Alex Bishop, the CEO of the company that manufactures Dociline. He invokes his right to refuse the drug, one of the only Dociles ever to do so. Alex enacts a horrifying period of brainwashing in order to modify Elisha’s behavior to mimic that of an “on-med.” The resulting relationship between them is disturbing. As Alex wakes up to his complicity in a broken system—“I am Dr. Frankenstein and I’ve fallen in love with my own monster”—he becomes more sympathetic, for better or worse. As Elisha suffers not only brainwashing, rape, and abuse, but the recovery that must come after, his love for—fixation with, dependence on—Alex poses interesting questions about consent: “Being my own person hurts too much….Why should an opportunity hurt so much?” However, despite excellent pacing and a gripping narrative, Szpara fails to address the history of slavery in America—a history that is race-based and continues to shape the nation. This is a story with fully realized queer characters that is unafraid to ask complicated questions; as a parable, it functions well. But without addressing this important aspect of the nation and economic structures within which it takes place, it cannot succeed in its takedown of oppressive systems.
An engrossing and fast-paced read that doesn’t hit the mark it aims for.Pub Date: March 3, 2020
ISBN: 978-1-250-21615-1
Page Count: 496
Publisher: Tor
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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