Often more a metaphorical than tangible story, but unquestionably a literary journey worth taking.
In this dystopian novel, scientists struggle to find the source of a worldwide virus causing sexually stimulated men to assault women.
Women aboard the luxury cruise ship Luxus Maximus find themselves the targets of an unlikely threat—the male passengers. The men, with conspicuously engorged members, accost the ladies in an apparent trance. The women duck out in a suite and get help from the Australian Federal Police, boarding via helicopter. Doctors, however, can find nothing wrong with the affected men, who later express no interest in females, sexual or otherwise. A quarantine to subvert a potential outbreak is evidently ineffective: men are soon trying to force themselves onto women on a global scale. Scientists, including geneticist Dr. Roger Klein, can’t immediately pinpoint the cause but determine that the mere sight of the opposite sex triggers the men’s response. Agencies, meanwhile, opt for temporary solutions. Separating the genders, for one, fails when armed male soldiers, intended to keep men away from safe zones, cross into the women’s areas and attack. Burqas quiet things down, but Christians suggesting that a cross be emblazoned on the Islamic garment ignites heated religious debates and eventual terrorist strikes. Klein discovers a mutating virus and a message—converted to audio and visual components—in genetic material. If the message can be translated, scientists may uncover the virus’s origin and possibly a cure. Despite a seemingly playful title, the novel takes itself seriously, more in tune with dark satire. There’s copious fallout from the virus, for example, like the chance of economic crisis because women primarily staying inside diminishes the workforce. Abanteriba (Poetic Retribution from Mars, 2006) provides back stories for notable characters such as Klein and Dr. Harald Brand, director-general of the World Health Organization. Regardless, a focus on the plot doesn’t afford them much personality. The latter half slows down considerably, with Klein and company searching for someone to translate the message. This portion is too long and tedious, repeatedly stressing that the world is on the “precipice” of or “teetering” on disaster (or doom, etc.). But the moral remains loud and clear, leading to a clever reexamination of the title and the imposing final thought.
Often more a metaphorical than tangible story, but unquestionably a literary journey worth taking.Pub Date: Feb. 23, 2016
ISBN: 978-1-4828-6431-1
Page Count: 454
Publisher: PartridgeSingapore
Review Posted Online: May 2, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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