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MORALITY TALE

Slow plotting and an exhaustingly cerebral narrator muffle the impact of the author’s interesting experiments with tone.

Emma Bovary wannabe ponders an alternative to her mundane domestic lifestyle in this dreamlike but grating modern fable.

The unnamed narrator of Brownrigg’s fifth work of fiction (Delivery Room, 2006, etc.) has grown tired of the life that her husband Alan has constructed for them, seemingly with little input from her. She quietly passes her days working in a stationary store; she puts up with Alan’s constant contact with his ex-wife Theresa; and she reluctantly though tenderly helps him raise his two sons, Alan and Ryan. While she doesn’t like admitting that anything is wrong with her marriage, she finds herself inexplicably drawn to Richard, a burly envelope salesman who visits her at work and initiates a series of weekly lunch dates at a nearby falafel stand. The two grow increasingly attached, though they don’t act on any physical impulses, and the narrator is hard pressed to understand her attraction to Richard or his place in her life. Things unravel when Alan catches them holding hands in a park, then finds a pile of affectionate notes from Richard in her purse. His jealousy leads to a spiral of squabbles, spying and joint therapy sessions. But just when the narrator seems ready to rebel and run, a trip to her childhood home with Richard and the news that he is moving back to Chicago makes her understand that her life with Alan hasn’t ended, that it just needs work. Because Brownrigg seems so dedicated to pinpointing the minute details often to blame for the downfall of a marriage, the melodramatic climax and optimistic ending seem inconsistent and a bit contrived. Her ability to lend an otherworldly feel to such a contemporary story, however, is commendable.

Slow plotting and an exhaustingly cerebral narrator muffle the impact of the author’s interesting experiments with tone.

Pub Date: May 15, 2008

ISBN: 978-1-58243-404-9

Page Count: 240

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2008

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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