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LONG SHOT

MY BIPOLAR LIFE AND THE HORSES WHO SAVED ME

An inspirational story with a happy ending (hopefully permanent).

In her debut memoir, jockey Harris tells how she beat the odds to become the “first African American woman in Chicago racing history to win a race and only the second in U.S. history.

By 1999, when the author was 32, her life had spun out of control. Her son was in foster care, and she couldn't afford medical treatment to control her bipolar disorder. Working at odd jobs and living in a car, she had hit rock bottom. After a relatively privileged childhood in California, she suffered her first manic attack as a teenager and was briefly hospitalized. Her life began a downward spiral with recurring episodes, and she entered a common-law marriage with a would-be musician that ended with him having custody of their two children. A short fling with a Hollywood casting director left her with a third child. After years of drifting—with her father taking custody of her son—she found work on a horse farm in Orlando and began her recovery. In a Hollywood film, the story would end with a fade-out of her triumphant comeback in 2007, when—now a 40-year-old apprentice jockey—she and the beaten-down horse she was riding won a prestigious race. In real life, however, there was no such fairy-tale happy ending. She had overcome many obstacles, but racism and prejudice against a woman trying to enter a traditionally male field still made it difficult for her to find horses to jockey. Offered a horse with an injured shoulder, she accepted, only to be thrown on the ground and seriously injured. By 2009, she was again homeless and in the grips of mental illness as she struggled to remain in the racing game. Fortunately, she moved to Wilmington and found work at the Delaware Park race track, which sponsored a mental-health program. There, she has received effective medication and is participating in group therapy.

An inspirational story with a happy ending (hopefully permanent).

Pub Date: March 8, 2011

ISBN: 978-0-06-171444-3

Page Count: 224

Publisher: Ecco/HarperCollins

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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