by Sylvia Ruth Gutmann ‧ RELEASE DATE: July 7, 2018
An insightful effort to bring some clarity to an incomprehensible wartime catastrophe.
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In this debut memoir, a woman recalls her childhood escape from Europe after the Nazis murdered her parents and the traumatic aftermath.
Gutmann was born in 1939 in Belgium, only months after her Jewish parents were forced into exile from their home in Berlin, fleeing the Nazis. They lived in hiding but were ultimately discovered by Vichy agents. In 1942, when the author was 3 years old, she and her mother and two older sisters were held captive at an internment camp in France. Her mother was then shipped to Auschwitz, where both of Gutmann’s parents were eventually killed. “In the face of the unknown,” the author writes, “Mama made a heart-wrenching choice to leave us behind with a stranger who promised to save our lives.” The author and her siblings were furtively sent to Switzerland by this mysterious woman. Gutmann stayed with an aunt in Zurich before leaving for New York by boat with her sisters in 1946. The author lived with her Uncle Sam and Aunt Gerdy and was ordered to forget her harrowing past. A second-grade teacher—at 7, Gutmann had never attended school before—accused her of lying when she spoke frankly of her travails. And Gerdy was mercilessly cruel, physically and verbally abusive. The author sought solace in the arms of exploitive men, and by 23 had weathered a string of failed relationships and two abortions. When her sister Rita, whom she idolized, died after a long illness in 1993, Gutmann was compelled to confront the pain of a lost childhood. In the hope of finding emotional resolution, she traveled to Germany and France, attempting to find the woman who had saved her life. The author’s story is heart-rending, told with an unflinching confessional candor (Recalling the stressful voyage to New York, she writes: “To every woman on the ship who looks kindly at me, I plead, ‘Will you be my mommy?’ ”). She delicately depicts the psychological fallout of the Holocaust—those who survived were pulverized by guilt, and the resources necessary to help them didn’t really exist. As one of Gutmann’s therapists explained, “For three decades, the traumatized survivors and guilt-ridden American Jews, who regretted that they had not done more to rescue their brethren, were frozen in silence.” This is an achingly beautiful account that includes emotionally affecting personal photographs.
An insightful effort to bring some clarity to an incomprehensible wartime catastrophe.Pub Date: July 7, 2018
ISBN: 978-1-944037-95-6
Page Count: 318
Publisher: Epigraph Publishing
Review Posted Online: April 26, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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