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IMPOSTER

Mediocre thrills, though it may interest those looking for a good, clean read.

A crack federal agent investigates his own mother’s murder.

Bunn (Drummer in the Dark, 2001, etc.) lets us know early and endlessly that protagonist Matt Kelly is an enigma: “He’s like water. He flows around life, but there’s nothing to see.” Maybe Matt simply wants to present as little target as possible to censorious father Paul, a wealthy Baltimore developer who doesn’t let his campaign for the U.S. Senate be derailed by the explosion that kills his wife in the opening pages. Whatever the reason, Matt’s ability to “melt into any setting and become unseen” serves him well as an up-and-comer in the little-known bureau of State Department Intelligence. It doesn’t gain him any traction, however, when he tries to help the Baltimore PD in their investigation of his mother’s death. Smart money has pinned the blame on a group of neo-Nazis who recently purloined some assault rifles and explosives from the National Guard Armory, but Matt doesn’t think that scenario makes sense. With little love lost for “fibbies,” Baltimore’s finest do everything they can to keep him from honing in on their case. Grizzled but goodhearted flatfeet Connie Morales and Lucas D’Amico are also initially turned off by the quiet, preternaturally handsome rich kid (in addition to his secretiveness, the author can’t stop mentioning Matt’s good looks), but they warm to him after martial-arts-schooled Matt helps save a cop’s life during a shootout. Sexual tension between Matt and Connie simmers no more than is decent, the violence is strictly PG-rated and a high number of characters are regular churchgoers: Westbow is an imprint of Christian publishing powerhouse Thomas Nelson, after all. Thankfully, the author doesn’t moralize nearly as much as one would expect. Regrettably, he doesn’t develop the drama as well as one would expect, burying the makings of a fine thriller beneath layers of monotonous character development.

Mediocre thrills, though it may interest those looking for a good, clean read.

Pub Date: March 8, 2006

ISBN: 0-8499-4486-4

Page Count: 300

Publisher: WestBow/Thomas Nelson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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