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A Life Worth Living

A sometimes-disorienting but heartfelt look at the scope of a modern family’s emotions.

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Scott’s debut family drama spotlights the ebb and flow of relationships between parents, spouses, siblings, and others as they navigate the immovable forces of life.

Dave and Debbie are no strangers to the strains of time, money, and work demands on a marriage. At the novel’s outset, Dave is plagued by the long hours that are typical of modern, white-collar America, frequently forgetting the time of night—and his family—as he juggles numbers at his financial job. Debbie, stressed by her double workload of caring for their adolescent children, Aidan and Summer, and covering long night shifts as a nurse at the local hospital, begins having her doubts as to whether their relationship can hold up. After some heated discussion, Dave resolves to spend more time with his family and less time at the office. Dave, Debbie, Aidan, and Summer set off together to Debbie’s parents’ lake house for a relaxing weekend together. However, Dave, lost in thought, nearly swerves off the road at a hairpin bend. As the story progresses, each member of the brood becomes embroiled in challenging personal dramas: Summer suffers her first real heartbreak; Debbie is tempted by the adoration of a colleague; Dave continues to struggle with reconnecting with his wife; and Aidan is involved in an accident that sends shock waves beyond just his nuclear family. Although the book’s pacing smoothly follows the central characters for much of the book, Scott later introduces Dave’s vivid, uncanny dream states, which will begin to rock readers’ perceptions of what’s really happening. This uncertainty will help to keep readers engaged in the cyclical nature of Dave and Debbie’s marriage struggles. However, it’s introduced at a fairly late stage, and the story may require patience on the part of readers at some points. The key to the true meaning of Dave’s dreams will be a rewarding revelation for steadfast readers.

A sometimes-disorienting but heartfelt look at the scope of a modern family’s emotions. 

Pub Date: April 5, 2015

ISBN: 978-1-5116-0796-4

Page Count: 360

Publisher: CreateSpace

Review Posted Online: Nov. 11, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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