A sometimes-disorienting but heartfelt look at the scope of a modern family’s emotions.

A Life Worth Living

Scott’s debut family drama spotlights the ebb and flow of relationships between parents, spouses, siblings, and others as they navigate the immovable forces of life.

Dave and Debbie are no strangers to the strains of time, money, and work demands on a marriage. At the novel’s outset, Dave is plagued by the long hours that are typical of modern, white-collar America, frequently forgetting the time of night—and his family—as he juggles numbers at his financial job. Debbie, stressed by her double workload of caring for their adolescent children, Aidan and Summer, and covering long night shifts as a nurse at the local hospital, begins having her doubts as to whether their relationship can hold up. After some heated discussion, Dave resolves to spend more time with his family and less time at the office. Dave, Debbie, Aidan, and Summer set off together to Debbie’s parents’ lake house for a relaxing weekend together. However, Dave, lost in thought, nearly swerves off the road at a hairpin bend. As the story progresses, each member of the brood becomes embroiled in challenging personal dramas: Summer suffers her first real heartbreak; Debbie is tempted by the adoration of a colleague; Dave continues to struggle with reconnecting with his wife; and Aidan is involved in an accident that sends shock waves beyond just his nuclear family. Although the book’s pacing smoothly follows the central characters for much of the book, Scott later introduces Dave’s vivid, uncanny dream states, which will begin to rock readers’ perceptions of what’s really happening. This uncertainty will help to keep readers engaged in the cyclical nature of Dave and Debbie’s marriage struggles. However, it’s introduced at a fairly late stage, and the story may require patience on the part of readers at some points. The key to the true meaning of Dave’s dreams will be a rewarding revelation for steadfast readers.

A sometimes-disorienting but heartfelt look at the scope of a modern family’s emotions. 

Pub Date: April 5, 2015

ISBN: 978-1-5116-0796-4

Page Count: 360

Publisher: CreateSpace

Review Posted Online: Nov. 11, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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