by Ta-Nehisi Coates ‧ RELEASE DATE: May 6, 2008
A rare, lyrical family memoir that rises above banal domesticity.
The author’s account of growing up with a former Black Panther for a father in a disintegrating corner of Baltimore.
Unlike so many of his compatriots in the Black Power movement, Paul Coates didn’t burn out in disappointment after the heat of ’60s idealism turned to ash. Instead, he raised his family, a polyglot mix of children from four mothers, to exacting standards in a Baltimore that by the time of the author’s childhood in the late ’70s and early ’80s was experiencing a drug-and-violence-fueled societal breakdown. In Coates’s poetic account of his youth, Paul provided a bulwark against the buffeting waves of the crack wars outside: “We were a close-knit circle, but a circle surrounded by dire wolves.” While Paul rescued the works of lost or little-known writers through his Black Classic Press (still in existence) and pushed his children to succeed, the author watched with mixed worry and jealousy as his older brother Bill ran the streets and built his rep. The details of Coates’s travels through disintegrating neighborhoods and schools that seemed almost designed to torment a bookish, dreamy kid would be pedestrian in many writers’ hands, but he wields words with a rare grace that gives his story an uncommon power. “The world was filled with great causes—Mandela, Nicaragua, and the battle against Reagan,” Coates writes. “But we died for sneakers stitched by serfs, coats that gave props to teams we didn’t own, hats embroidered with the names of Confederate states.” It’s one of the saddest descriptions of the crack epidemic ever put to page. Given the tragic number of African-Americans who didn’t survive that epidemic, it’s a pleasure to read the author’s awed appraisal of a father who never stopped striving for the best in his family and community, no matter how hopeless the view outside his window.
A rare, lyrical family memoir that rises above banal domesticity.Pub Date: May 6, 2008
ISBN: 978-0-385-52036-2
Page Count: 256
Publisher: Spiegel & Grau
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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