A straightforward account of how a gay actor handled the ’50s—alas, not very differently than closeted gay actors manage...
Warner Brothers’ former boy-next-door tells all.
Tab Hunter’s life would have made a brassy melodrama for Warners, where he reigned in the 1950s. He was born Arthur Gelien in New York City in 1931. Escaping her violent husband, Gelien’s mother took her two sons to San Francisco, where Gelien fled to movie theaters, there first having sex with a man. At 15, Gelien lied about his age to join the Coast Guard. On leave in New York City, Gelien, now a smashing, muscular blond, woke up with a wealthy older man. Not wishing to be a “boy toy,” he went West to make movies. Gelien’s manager turned him into Tab Hunter, who took off his shirt to star in Island of Desire. Eager to draw teens, Warner Bros. cast him in Battle Cry, which he stole when he again doffed his shirt. Then scandal rag Confidential claimed cops arrested Hunter at a gay party. As damage control, Warners paired the actor with “beard” Natalie Wood, but after dates, Hunter pursued an affair with actor Tony Perkins. Eager to be taken seriously as an actor, Hunter bought out his Warners contract, donned his shirt and acted in They Came to Cordura and The Pleasure of His Company. More melodrama ensued when he stood trial, in 1960, for beating his dog. Acquitted, he relentlessly worked the dinner-theater circuit. After a heart attack, a stroke and mixed success as a producer, Hunter settled into a happy life with partner Allan Glaser, who suggested that he write his memoirs to head off the revelations of a projected, unauthorized biography. Whether that volume materializes and tells a different story remains to be seen.
A straightforward account of how a gay actor handled the ’50s—alas, not very differently than closeted gay actors manage their careers today.Pub Date: Oct. 14, 2005
ISBN: 1-56512-466-9
Page Count: 408
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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