by Tad Friend ‧ RELEASE DATE: Sept. 21, 2009
Indeed, Friend’s memoir is mostly in pieces that could use further assemblage.
A New Yorker staff writer struggles to strike a prepossessing pose in a populous family photograph.
Fully aware that his is a complicated story, Friend (Lost in Mongolia: Travels in Hollywood and Other Foreign Lands, 2001), provides a two-page family tree that rivals the Tudors’ in complexity. The chart is a reader’s dear friend, though, for it helps clarify quick allusions to “Timmie Robinson” and numerous others who occasionally pop up in the thick narrative, which interweaves accounts of his relatives’ lives with ruminations on his childhood, schooling, lovers, career, travel, marriage, parenthood, privilege and psychotherapy. Friend often felt unloved and unloving, he writes, adding that he expended most of a $160,000 inheritance on 13 years of psychotherapy. He illuminates that period a bit in “Reconstruction,” a chapter that also features accounts of his mother’s obsessive remodeling of a house. We learn that Friend was an award-winning high-school student and a Harvard graduate who took home “a raft of prizes” at commencement. His father was president of Swarthmore College, his mother an aspiring poet and youthful rival of Sylvia Plath. The author bounced from girlfriend to girlfriend before finding his true love and current wife. Friend knows he’s enjoyed some breaks in life—family summer homes in desirable places, notable relatives, money worries rather than poverty—and he’s suitably ambivalent about it, waxing ironic and sometimes even waspish about the WASPy world of his nativity. He deals effectively with his mother’s terminal struggles with cancer and with his father’s emotional reserve. He tells us little about his writing—mostly that other people think it’s wonderful—but notes his initial difficulty at the New Yorker crafting “long pieces that fit together like jigsaw puzzles.”
Indeed, Friend’s memoir is mostly in pieces that could use further assemblage.Pub Date: Sept. 21, 2009
ISBN: 978-0-316-00317-9
Page Count: 336
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2009
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by Tad Friend
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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