Though these and other bleak reflections on fundamentalist society remain as legacy, the stilling of Djaout’s humanist voice...
Prize-winning novelist and poet Djaout was assassinated in 1993 by Islamic fundamentalists in his native Algeria, leaving this very short novel, a painful rumination on the death of the spirit in a repressive society, among his papers.
Boualem has already suffered much under the new theocratic regime of his stricken homeland, something he knows only too well even as he drives along the sea hoping that a member of the ruling Vigilant Brothers won’t pull him over for some impious infraction. A bookseller, he has had to allow the offerings in his store to be removed from public view, and he’s seen his clientele dwindle to a determined but furtive single customer. A devoted family man, he also has had to accept the defection of his wife and grown children, who are more willing than he is to embrace the new national order and its offers of temporal and everlasting rewards. But in spite of these blows to his sense of identity, Boualem persists, believing that his passive defense of the material contained in his books is necessary to keep hope for change alive. Even when he is cursed and stoned by children in the neighborhood, he carries on, consoling himself with his reading and with remembrances of his own children in happier times. The arrival of a threatening letter, however, marks a tightening of the noose around him. Followed swiftly by even more threatening phone calls, Boualem receives the final blow when he goes to his store one day and finds that it and its contents have been confiscated. He can do nothing now but ponder his future—without consolation.
Though these and other bleak reflections on fundamentalist society remain as legacy, the stilling of Djaout’s humanist voice is a loss to the larger literary world as much as to his embattled homeland.Pub Date: Oct. 1, 2001
ISBN: 1-886913-50-1
Page Count: 160
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
BOOK REVIEW
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.
In Beartown, where the people are as "tough as the forest, as hard as the ice," the star player on the beloved hockey team is accused of rape, and the town turns upon itself.
Swedish novelist Backman’s (A Man Called Ove, 2014, etc.) story quickly becomes a rich exploration of the culture of hockey, a sport whose acolytes see it as a violent liturgy on ice. Beartown explodes after rape charges are brought against the talented Kevin, son of privilege and influence, who's nearly untouchable because of his transcendent talent. The victim is Maya, the teenage daughter of the hockey club’s much-admired general manager, Peter, another Beartown golden boy, a hockey star who made it to the NHL. Peter was lured home to bring winning hockey back to Beartown. Now, after years of despair, the local club is on the cusp of a championship, but not without Kevin. Backman is a masterful writer, his characters familiar yet distinct, flawed yet heroic. Despite his love for hockey, where fights are part of the game, Peter hates violence. Kira, his wife, is an attorney with an aggressive, take-no-prisoners demeanor. Minor characters include Sune, "the man who has been coach of Beartown's A-team since Peter was a boy," whom the sponsors now want fired. There are scenes that bring tears, scenes of gut-wrenching despair, and moments of sly humor: the club president’s table manners are so crude "you can’t help wondering if he’s actually misunderstood the whole concept of eating." Like Friday Night Lights, this is about more than youth sports; it's part coming-of-age novel, part study of moral failure, and finally a chronicle of groupthink in which an unlikely hero steps forward to save more than one person from self-destruction.
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.Pub Date: April 25, 2017
ISBN: 978-1-5011-6076-9
Page Count: 336
Publisher: Atria
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK TO SCREEN
Corrosive dispatches from the divided heart of America.
Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.
The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.
Corrosive dispatches from the divided heart of America.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91124-7
Page Count: 208
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
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