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THE WATCHERS

No one will miss the message here, but Djaout has also given us a story as steeped in the beauty of North Africa as in the...

The first English translation of this 1991 winner of the French Prix Mediterranée, whose author was assassinated in 1993 by Islamic extremists in Algeria, follows publication of Djaout’s remarkable The Last Summer of Reason (2001) and further shows the loss literature has sustained.

Djaout’s claustrophobic, at times Kafkaesque tale begins with the aging Menouar, a simple former shepherd and veteran of the Algerian resistance, coping with the summer heat in a suburb of the coastal city where he now lives. A busybody, he has noticed lights at night in a house he’d believed to be empty; these turn out to be evidence of the labor of Mahfoudh, an inventor from the city using the house as a quiet studio for finishing his work on a revolutionary loom design. When Mahfoudh tries to apply for a patent at the town office, he encounters such hostility from the bureaucrats, who have never dealt with a patent application before, that he decides to pursue matters back in the city. There, he encounters further resistance when he applies for a passport to attend an inventor’s fair in Germany, attracting police suspicion because he had once been arrested—a decade before, at a student demonstration. Meanwhile, his studio has come under surveillance by a vigilante veterans’ group that includes Menouar. For an inscrutable reason, however, Mahfoudh receives his passport, and, when he travels to the fair, a prize for his invention. Although he has to endure an almost surreal set of hurdles just to get his loom model back into Algeria, he is proclaimed a local and national hero—though his turnabout has lethal consequences for the unsuspecting Menouar.

No one will miss the message here, but Djaout has also given us a story as steeped in the beauty of North Africa as in the darkness threatening those who call it home.

Pub Date: Oct. 1, 2002

ISBN: 1-886913-54-4

Page Count: 216

Publisher: Ruminator Books

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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