by Talya Tate Boerner ‧ RELEASE DATE: N/A
Sharply written but painful and emotionally draining, with few moments of reprieve.
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An aging father-in-law comes to stay with life-changing consequences in this memoir by Boerner (The Accidental Salvation of Gracie Lee, 2016).
When the unexpectedly shrill ringtone of the cellphone belonging to the author’s husband, John, jars the couple’s morning, Boerner knew instinctively that something was wrong. John’s mother, Pauline, had been admitted to the hospital, leaving his 90-year-old father, Gene, alone at home. Boerner suggests to her husband that he drive to Arkansas to collect his father so he can stay at their house in Dallas “for a few days.” Gene’s stay lasts for six weeks, a period in which Boerner, senior vice president of the commercial lending department at a Dallas bank, spends time assisting her father-in-law with his daily needs as John’s only sister looks after the hospitalized Pauline. Gene struggles with the stairs, is frustrated by the way Boerner organizes his pills, accuses Boerner’s son of stealing his wallet, and becomes increasingly confused. However, Boerner, who as a young girl wanted to be a nurse, forms a bond with Gene. She confides in Gene that she would like to write a book someday, to which Gene responds sagely: “someday gets here fast. Before long, we’ll both be nothing but memories.” The memoir hinges on this moment, which inspires Boerner to quit her job and become a writer, but the bulk of the narrative focus is on the sad decline in health of her father-in-law. As proven in her stirring debut novel, Boerner is a thoughtfully descriptive writer: “[Gene] stops counting and takes a forced breath, his exhalation so heavy I imagine wisps of his soul escaping into our home.” However, the tone of this particular offering is so relentlessly melancholic that it makes for a difficult read: “Gene will die because his time on earth has been filled to overflowing…raising children and being kind, and loving one woman to such an extent that he withered without her.” Those caring for an ailing elderly family member will recognize the gamut of emotions expressed in this tender tribute to an inspirational relative—moments of frustration, helplessness, and heartache—but this book will struggle to draw a wider audience because of its depressing nature.
Sharply written but painful and emotionally draining, with few moments of reprieve.Pub Date: N/A
ISBN: 978-1-951418-00-7
Page Count: 349
Publisher: One Mississippi Press LLC
Review Posted Online: Feb. 15, 2020
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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