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NO BATHS AT CAMP

Charming, funny and appealing.

Max insists that he never took a bath the entire time he was at summer camp.

When Mom announces bathtime, Max gives her a complete account of all his adventures, with lots of grimy details, from Sunday to Saturday of each week. There’s rock climbing, theatrics, marshmallow roasting, canoeing and swimming, painting and barefoot dancing. This particular camp focuses on Jewish traditions. They perform scenes from the Old Testament, dance the hora, and on Friday night observe Shabbat, lighting the candles, saying the blessings and eating a special meal. Saturday is spent quietly with walks, stories and conversations until sundown, when they say goodbye to the sweetness of the Sabbath. Max narrates his story in simple descriptive language and syntax, joyfully emphasizing that there were no baths on the schedule. Vasquez’s double-paged, bright, textured illustrations clue readers into Max’s misleading assertions. He may not have taken baths, but there he is washing at the water pump, splashing in the spray from the hose, having a jolly water-balloon fight and happily taking a shower and shampoo before sundown on Shabbat. Of course Max takes his bath, albeit reluctantly, obliging his Mom. Fox maintains a light, nonpreachy touch, weaving details of children’s participation in Jewish traditions with the universal fun of summer camp.

Charming, funny and appealing. (Picture book. 4-8)

Pub Date: March 1, 2013

ISBN: 978-0-7613-8120-4

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: Jan. 15, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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GOING PLACES

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted.

Imagination soars—quite literally—when a little girl follows her own set of rules.

Every year Oak Hill School has a go-kart race called the Going Places contest. Students are given identical go-kart kits with a precise set of instructions. And of course, every single kart ends up exactly the same. Every one, that is, except Maya’s. Maya is a dreamy artist, and she would rather sketch birds in her backyard than get caught up in the competition. When she finally does start working, she uses the parts in the go-kart box but creates something completely different. No one ever said it had to be a go-kart. Maya’s creative thinking inspires Rafael, her neighbor (and the most enthusiastic Going Places contestant), to ask to team up. The instructions never say they couldn’t work together, either! An ode to creativity and individuality to be sure, but the Reynolds brothers are also taking a swipe at modern education: Endless repetition and following instructions without question create a culture of conformity. Hopefully now, readers will see infinite possibility every time the system hands them an identical go-kart box.

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted. (Picture book. 4-8)

Pub Date: March 18, 2014

ISBN: 978-1-4424-6608-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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