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HERE AND THERE

Needed everywhere.

A child with newly separated parents grapples with moving back and forth between their homes.

Ivan doesn’t want “to go There (his dad’s new house).” At Mama’s house (which he thinks of as “Here”), Ivan indulges his love of birds by feeding them and mimicking their calls and songs. But when he’s There, he’s still and quiet, refusing to engage with Dad and remaining silent when he hears birds. But when Dad plays his guitar, Ivan can’t resist. “He felt the way he did when Mama lifted him high to pick pears from the branches of their tree. He moved the way he did when Dad pushed him on a swing as high as the sun.” Dad invites Ivan to put words to the song, and he does, with a mishmash of bird calls, cheers, and the words “Here” and “There.” The father-and-son collaboration makes “There” feel more like a home, so much so that Ivan feels he’s lost something when he returns to Mama’s house. She notices he’s still and quiet and successfully draws him out. He hears birds, remembers the song, and sings it to Mama. Appropriately, this isn’t a happily-ever-after story but one that offers affirmation and hope for kids navigating parental separation. In Daviddi’s pencil, acrylic-paint, and collage illustrations Ivan and Mama both have brown skin and dark Afros while Dad presents white. There seems to be little attempt to represent the birds naturalistically, but there is a guide to the calls in the backmatter.

Needed everywhere. (Picture book. 4-8)

Pub Date: March 31, 2019

ISBN: 978-1-78285-741-9

Page Count: 32

Publisher: Barefoot Books

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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SPAGHETTI HEAD & CHICKEN FINGERS

Wild and wacky.

A picture book from the comedy duo known as Rhett & Link, creators of the online juggernaut Good Mythical Morning.

Lumo is obsessed with chicken fingers; Saffy, who is new to town and anxious about starting school, finds comfort in the only food she likes: buttered spaghetti. The night before the first day of school, a thunderstorm rages, and each kid makes a wish—“to have chicken fingers at school,” in Lumo’s case; Saffy wishes for “the first thing off the top of her head: buttered spaghetti.” File under “Be careful what you wish for.” Lumo’s and Saffy’s respective physical changes (chicken fingers for fingers, spaghetti for hair) make navigating school a challenge but bring them together in the cafeteria, where they enjoy some new foods—and their new friendship. The plotting could have been sharper: Why do the kids’ bodies suddenly return to normal? And couldn’t the authors have thought up a less old-hat story-ending punch line? Nevertheless, McLaughlin and Neal get by on their charm, and the plot sets up some funny visuals. Salcedo’s cartoony Photoshop art features well-chosen artifacts from a typical kid’s life and captures the mortification of not fitting in, which will be familiar even to readers who have never experienced breaded fingers or noodle hair. Lumo is brown-skinned and dark-haired; Saffy is pale-skinned with disheveled reddish-brown hair.

Wild and wacky. (Picture book. 4-8)

Pub Date: June 16, 2026

ISBN: 9780063474154

Page Count: 32

Publisher: HarperPop/HarperCollins

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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