A light and fluffy confection that’s a perfect read for a holiday break.
Passey’s (The Tree Keeper’s Promise, 2016, etc.) latest Christmas tale is a lighthearted romance inspired by Charles Dickens’ classic holiday novel.
Eleanor Fooge is running her grandmother’s fudge business in Pine Creek, Colorado, and it’s not going well. The company is losing money, and Eleanor’s control issues have alienated her business partner. When Eleanor’s angry opinions about charity go viral, the business’s reputation suffers. She’s seen as a classic Scrooge despite her strong aversion to her name’s being compared to Dickens’ famous literary character’s. Enter Cam Wilson, a consultant whom Eleanor brought in to help save the business. He had a crush on her back in high school, years ago, and he’s retained his youthful good looks and charming personality—and Eleanor takes notice. He’s also smart enough to recognize that although Eleanor can effectively make the hard decisions required to save the company, her temperament is unpredictable. She also treats her employees terribly, going so far as to force them to work on Christmas. In addition, her hatred of all things Scrooge causes her to pass up good business opportunities, such as selling fudge at a local theater company’s sold-out performances of A Christmas Carol. She just wants to save the business before her grandmother finds out about the trouble. Cam wants to do his job, but he also finds himself falling for Eleanor all over again. Passey’s spin on the Dickens tale is as sweet as the fudge that Eleanor dishes up throughout the novel. Eleanor’s transformation is expected but enjoyable, and Passey makes a good observation about Scrooge himself: “he’s generous and kindhearted by the end. But no one…wants to give him that credit. Once a miser, always a miser.” The author’s prose flows nicely, and the chemistry between Cam and Eleanor is a consistent treat. There are no steamy love scenes along the way, but Cam’s willingness to lay everything on the line for Eleanor is a Christmas gift that romance fans will want to unwrap.
A light and fluffy confection that’s a perfect read for a holiday break.Pub Date: Nov. 2, 2018
ISBN: 978-0-9909840-8-5
Page Count: 195
Publisher: Winter Street Press
Review Posted Online: Jan. 14, 2019
Review Program: Kirkus Indie
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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