by Tamara Shopsin ‧ RELEASE DATE: July 18, 2017
A warm evocation of a quirky life and exuberant times.
Candid recollections of growing up in Greenwich Village in the 1980s.
Graphic designer, illustrator, and memoirist Shopsin (Mumbai New York Scranton, 2013, etc.) continues her life story in a chronicle constructed of terse paragraphs, whimsical graphics, and family photographs. The author, her twin sister, and three brothers ranged freely in the neighborhood around Morton Street, where her parents—her irascible father, Kenny, a cook, and gentle mother, Eve—owned The Store, a grocery, later turned into a restaurant that attracted celebrities such as John Belushi, Calvin Trillin (he paid in cookbooks), poet Joseph Brodsky, John F. Kennedy Jr., handsome in Lycra bike shorts, and a host of models, rock stars, and athletes. Good customers got a set of keys so they could go to the store any time it was closed, write down what they took, and pay later. Born in 1979, the year the schoolboy Etan Patz disappeared, Shopsin was hardly overprotected. “The city may have been more dangerous,” she writes, “but it was a less hostile place. Everyone knew each other.” Still, she witnessed blacks beaten up by a gang of boys, drug addicts sleeping in doorways, and homeless people living in playgrounds. “It is easy to cite the bad in the filthy chaos of New York before luxury condos,” she writes. “It is harder to express the spirit, life, and community that the chaos and inefficiency bred.” The author succeeds admirably in expressing that spirit, largely through sharp, loving portraits of two brash, irreverent, opinionated men: her father, who summarily banned certain customers from his restaurant, and his best friend Willy, superintendent of an apartment building, occasional nightclub singer, flagrant womanizer, and scam artist. Shopsin adored them both. It was her father who came up with the phrase “Arbitrary Stupid Goal” to describe his “guiding belief”: “A goal that isn’t too important makes you live in the moment, and still gives you a driving force” that allows you “to find ecstasy in the small things, the unexpected, and the everyday.”
A warm evocation of a quirky life and exuberant times.Pub Date: July 18, 2017
ISBN: 978-0-374-10586-0
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 22, 2017
Kirkus Reviews Issue: May 15, 2017
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by Tamara Shopsin & Jason Fulford ; illustrated by Tamara Shopsin & Jason Fulford
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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