A vivid and dramatic, if sometimes-dense, fantasy about reincarnated lovers finding each other and working to save the world.



From the One Great Year series , Vol. 2

A sprawling epic sequel that mingles espionage, archeology, sci-fi, and New Age spiritualism.

The writing team of Veitch and DeFazio (The Emissary, 2018) continue the high-fantasy story they began in their previous book, in which the Elders of the otherworldly realm of Atitala send Emissaries into the mortal world, tasking them with preserving their ancient wisdom and shepherding humans to a planetary golden age. Three of these Emissaries—Marcus, Theron, and Helghul—had been lifelong friends in Atitala, but in their subsequent quest, which involves numerous reincarnations, Helghul joined the ranks of the Adversaries, the Emissaries’ great opponents. He’s also bitterly jealous of the bond between soul mates Marcus and Theron, which connects them during subsequent reincarnations. Helghul’s final betrayal of their long friendship came at the previous book’s climax, and this sequel commences exactly where the last installment left off. Veitch and DeFazio follow the core cast members through many different eras and plot twists, and the different natures of each incarnation remain a key element of the story—particularly, in this volume, the unusual nature of the Marcus-incarnation Quinn. As in the previous volume, Veitch and DeFazio energetically fill these pages with a large cast of players as rival forces seek to hasten or prevent a rapturous new era from dawning. Intriguingly, the real-life figure of Genghis Khan is one of the most compelling of these new characters, as is the fictional American humanitarian Oswald Zahn, a wealthy man who capitalizes on the world’s chaos to position himself as a kind of dark savior. The authors’ prose is propulsive throughout, and those who are familiar with the previous book in the series will find it engrossing. However, the novel is also thoroughly enmeshed in the story of its preceding volume, so that it can’t possibly be read as a stand-alone book. A quick synopsis, or even a brief glossary at the end, might have provided much-needed context for the characters’ seemingly endless rushing around.

A vivid and dramatic, if sometimes-dense, fantasy about reincarnated lovers finding each other and working to save the world.

Pub Date: June 4, 2019

ISBN: 978-1-939116-41-3

Page Count: 200

Publisher: Waterside Productions

Review Posted Online: July 18, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be...


Some very nice, very smart African-Americans are plunged into netherworlds of malevolent sorcery in the waning days of Jim Crow—as if Jim Crow alone wasn’t enough of a curse to begin with.

In the northern U.S. of the mid-1950s, as depicted in this merrily macabre pastiche by Ruff (The Mirage, 2012, etc.), Driving While Black is an even more perilous proposition than it is now. Ask Atticus Turner, an African-American Korean War veteran and science-fiction buff, who is compelled to face an all-too-customary gauntlet of racist highway patrolmen and hostile white roadside hamlets en route from his South Side Chicago home to a remote Massachusetts village in search of his curmudgeonly father, Montrose, who was lured away by a young white “sharp dresser” driving a silver Cadillac with tinted windows. At least Atticus isn’t alone; his uncle George, who puts out annual editions of The Safe Negro Travel Guide, is splitting driving duties in his Packard station wagon “with inlaid birch trim and side paneling.” Also along for the ride is Atticus’ childhood friend Letitia Dandridge, another sci-fi fan, whose family lived in the same neighborhood as the Turners. It turns out this road trip is merely the beginning of a series of bizarre chimerical adventures ensnaring both the Turner and Dandridge clans in ancient rituals, arcane magical texts, alternate universes, and transmogrifying potions, all of which bears some resemblance to the supernatural visions of H.P. Lovecraft and other gothic dream makers of the past. Ruff’s ripping yarns often pile on contrivances and overextend the narratives in the grand manner of pulp storytelling, but the reinvented mythos here seems to have aroused in him a newfound empathy and engagement with his characters.

If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be doing triple axels in his grave at the way his imagination has been so impudently shaken and stirred.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-229206-3

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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