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LUCKY'S LADY

Second hardcover romance (Magic, 1990—not reviewed) from veteran author Hoag—a steamy, modern romance set in the Louisiana bayou country. When Serena Sheridan leaves her psychotherapy practice in Charleston and returns home for a vacation, she finds that her twin sister is planning to sell the family estate to an oil company as a way of financing her husband's political career and that her grandfather has retreated into the swamp in protest. Serena hires Lucky Doucet—a devastatingly handsome Cajun (she thinks of him as "a devil on steroids")—to help her find the old man. Though at first put off by his macho manner, Serena succumbs quickly to Lucky's prowess in the bedroom. But great sex does not a relationship make; Lucky's troubled and bitter past keep him from offering Serena anything more than his magnificent body. Meanwhile, Serena becomes more deeply embroiled in her own sea of troubles, which include dealing with her willful grandfather, an unscrupulous representative from the oil company, and the seething resentment of her sister. The plot culminates in an attempt on Serena's life—engineered by her brother-in-law—from which Lucky rescues her in the nick. Lots of sex, just the right amount of suspense, and a sassy, crackling prose style—in a romance that should more than satisfy devotees of the genre.

Pub Date: Feb. 1, 1992

ISBN: 0553587188

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1991

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THE KISSING GAME

Starts out promising but never quite gets out of first gear.

A laconic auto-body shop owner hopes to woo a longtime crush, but he has to overcome his past trauma to convince her they belong together.

Rena Jackson has started her own hair salon in Seattle and wants her personal life to rev up, too, but she has almost given up on Axel Heller’s making a move. Though she finds the German transplant attractive, she worries that he is commitment-phobic and not ready for true intimacy. With both their upbringings shadowing them (his involves domestic violence and hers a single mother who has looked for love too often), can two strong, wary people become vulnerable to love? Harte (Delivered With a Kiss, 2019, etc.) provides readers with passages about Axel’s painful memories and his fear of being a physical threat to a woman. This is a useful counter to some novels’ tendency to romanticize the threat of male power. But the limited, alternating perspective leaves Rena in the dark for much longer than the reader, with the result that her complaints about Axel’s attachment style edge her into unlikable territory. The novel is threaded together by Axel's awkward (albeit funny) attempts to court Rena with gifts and other gestures but doesn't allow her similar space to show her personality and get us to root for the couple. The quick references to, and scenes with, numerous peripheral characters bog down the romance arc further. The handling of the white supremacists who have been threatening Rena, who's African American, is a broad-stroke attempt to acknowledge racism but lacks nuance, as does a scene involving homophobia. While the novel’s title and cover allude to recent successes like The Kiss Quotient and The Hating Game, it lacks the former’s thematic firm-footedness and the latter’s tonal mastery of comedy and emotion.

Starts out promising but never quite gets out of first gear.

Pub Date: Feb. 4, 2020

ISBN: 978-1-4926-9698-8

Page Count: 320

Publisher: Sourcebooks Casablanca

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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WHERE THE LIGHT ENTERS

Detectives, doctors, and dastardly scoundrels abound in this fascinating historical novel.

Luring women with the false promise of a safe, albeit illegal, abortion, a serial killer is on the loose in 1880s New York City.

In this sequel to The Gilded Hour (2015), Donati returns to a time when female doctors were viewed with surprise if not outright hostility. Cousins Anna and Sophie Savard have earned their professional medical training, both turning to practice primarily on women. Grieving the recent death of her attorney husband, Cap, from tuberculosis, Sophie plans to use her inheritance to establish scholarships and a welcoming home for women pursuing medical studies. Happily married to Jack Mezzanotte, a detective investigating the killings with his partner, Oscar Maroney, Anna is a highly accomplished surgeon, but they have just lost custody of the children they were fostering, children the church wants raised by Catholics. The sprawling Savard family blends multiple ethnicities, including Italian, Mohawk, and African American, and Donati crafts strong female characters who draw upon the wisdom of their ancestors to transcend the slings and arrows of petty racism and sexism. She juxtaposes these women, thriving on the energies of the zeitgeist advancing women’s rights, with the villains, who sink into the muck of dubious morality crusades, such as the anti-contraception and anti-abortion campaigns of Anthony Comstock and the xenophobic orphanage system run by the Roman Catholic Church. Through Sophie’s and Anna’s work, Donati sketches in the historical backdrop of reproductive challenges in late-19th-century America: Women dying in childbirth, women dying to avoid childbirth, women and babies mangled by medical quacks, and children drugged to the point of death just to keep peace in the nursery. The wounds inflicted by the serial killer caused prolonged, severely painful deaths, suggesting not inept but malicious intent. And as the Drs. Savard assist Jack and Oscar in their investigation, another woman goes missing.

Detectives, doctors, and dastardly scoundrels abound in this fascinating historical novel.

Pub Date: Sept. 10, 2019

ISBN: 978-0-425-27182-7

Page Count: 672

Publisher: Berkley

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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