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BAWK & ROLL

This flock rocks.

The further adventures of Elvis Poultry, rooster rock star (Chicken Dance, 2009).

Marge and Lola, Elvis Poultry’s backup Chicken Dancers, wave goodbye to their barnyard buddies from a window of their tour bus. McDoodle's Barnyard is the first stop on their glamorous multi-farm tour. But the crowd is so big and unfamiliar that the hens faint from nerves. They resolve to do better at their next performance venue, but… Elvis parachutes to the stage, making a spectacular soft landing, followed by the thud of Lola and Marge. What to do? They try painting, hypnosis, meditation... but nothing seems to work. Then it hits them: In order to solve their problem, they actually cross the road (to a mailbox)! At the next tour stop, Dale's Dairy Farm, the crowd looks disgruntled. "We're going to get mooed off the stage," Marge predicts. But their entrance is greeted with cheers; all their friends from back on the farm have come out to support them. Elvis is so inspired that he comes up with a brand new song on the spot. His recording of "Blue Moo" shoots to the top of the charts. Can you say superstars? Sauer dispenses her many puns with an appealingly deft touch, offering a genuine lesson on friendship. Santat's illustrations are similarly droll, featuring several clever and surprising page designs, making the most of the opportunity offered by the contrast between stage and audience.

This flock rocks. (Picture book. 4-7)

Pub Date: April 1, 2012

ISBN: 978-1-4027-7837-7

Page Count: 36

Publisher: Sterling

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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