Respect is owed to French for making her interrogation scenes good enough to really spike your blood pressure, but the magic...
A sheltered young woman comes out of her cocoon—and her transformation ends with murder.
In the sixth Dublin Murder Squad novel, the unfolding of a murder case is seen through the eyes of Detective Antoinette Conway, a character we got to know first through her now-partner, Steve Moran, in The Secret Place (2014). But while her mysteriously hard-to-crack exterior was compelling from Moran's perspective, her internal monologue proves less so. Here, she comes across as much younger and less in control. And Moran and his goofy smile are just along for the ride as Conway heads up an investigation of the murder of 26-year-old Aislinn Murray, found dead in her meticulous home from a punch to the face and a smack on the fireplace hearth. It starts off looking like a regular lovers' tiff when the victim's texts reveal she had a date scheduled for that night with Rory Fallon, a smitten, daydreaming kind of guy. Conway thinks he should be easy to crack, but he swears it was someone else—Aislinn had a way about her that really made men obsessed. But she wasn't always that way, as her friend Lucy reveals. Her transformation into a heartbreaker was new, and it had purpose. As the two detectives start looking at other options—"Lover Boy is changing, in my mind"—the investigation is impeded by their own murder squad. But why? It's not just because the guys think Conway has a stick up you know where.
Respect is owed to French for making her interrogation scenes good enough to really spike your blood pressure, but the magic of previous installments is missing.Pub Date: Oct. 4, 2016
ISBN: 978-0-670-02633-3
Page Count: 464
Publisher: Viking
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Herron shows once again that the United Kingdom’s intelligence community is every bit as dysfunctional and alarmingly funny...
A new round of troubles for the slow horses of Slough House, where burned-out, compromised, or incompetent members of Her Majesty’s intelligence community have been banished (Spook Street, 2017, etc.), pits them against a group of terrorists who seem to be working from MI5’s own playbook.
It doesn’t usually make headlines when a crew of uniformed men efficiently murder a dozen inhabitants of an isolated village, but when the target is Abbotsfield, in the shadow of the Derbyshire hills, attention must be paid. The time-servers at Slough House, the last group anyone in the know would expect to get anywhere near this outrage, are roped into it when Shirley Dander celebrates her 62nd drug-free day by saving her colleague Roderick Ho from getting run down by a car. Flatulent Jackson Lamb, the head of the troops at Slough House, doesn’t believe Shirley’s story of attempted vehicular homicide, but even he changes his tune after a second attempt on Ho’s life kills an intruder whose corpse promptly disappears and police match the bullets found at the scene to one of the weapons used in the Abbotsfield massacre. When someone tosses a bomb into the penguin shelter in Dobsey Park and a second bomb is disabled before it can blow up a Paddington-bound train, alarm bells go off for J.K. Coe, the newest arrival to Slough House, who realizes (1) these outrages are all being perpetrated by the same team, (2) they’re following a blueprint originally conceived by the intelligence community, and (3) they still have several escalating chapters left to go. Just in case this all sounds uncomfortably menacing, a subplot concerning the threats posed to the nation’s security by a cross-dressing Brexit partisan is uncomfortably comical.
Herron shows once again that the United Kingdom’s intelligence community is every bit as dysfunctional and alarmingly funny as Bill James’ cops and robbers.Pub Date: June 5, 2018
ISBN: 978-1-61695-961-6
Page Count: 336
Publisher: Soho Crime
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
A brilliantly imagined riff on the classic detective tale: the fifth high-energy novel in five years from the rapidly maturing prodigy whose bizarre black-comic fiction includes, most recently, Girl in Landscape (1998). Lethem’s delirious yarn about crime, pursuit, and punishment, is narrated in a unique voice by its embattled protagonist, Brooklynite (and orphan) Lionel Essrog, a.k.a. “Freakshow.” Lionel’s moniker denotes the Tourette’s syndrome that twists his speech into weird aslant approximations (his own name, for example, is apt to come out “Larval Pushbug” or “Unreliable Chessgrub”) and induces a tendency to compulsive behavior (“reaching, tapping, grabbing and kissing urges”) that makes him useful putty in the hands of Frank Minna, an enterprising hood who recruits teenagers (like Lionel) from St. Vincent’s Home for Boys, to move stolen goods and otherwise function as apprentice-criminal “Minna Men.” The daft plot—which disappears for a while somewhere around the middle of the novel—concerns Minna’s murder and Lionel’s crazily courageous search for the killer, an odyssey that brings him into increasingly dangerous contact with two elderly Italian men (“The Clients”) who have previously employed the Minna Men and now pointedly advise Lionel to abandon his quest; Frank’s not-quite-bereaved widow Julia (a tough-talking dame who seems to have dropped in from a Raymond Chandler novel) at the Zendo, a dilapidated commune where meditation and other Buddhist techniques are taught; a menacing “Polish giant”; and, on Maine’s Muscongus Island, a lobster pound and Japanese restaurant that front for a sinister Oriental conglomerate. The resulting complications are hilariously enhanced by Lionel’s “verbal Tourette’s flowering”—a barrage of sheer rhetorical invention that has tour de force written all over it; it’s an amazing stunt, and, just when you think the well is running dry, Lethem keeps on topping himself. Another terrific entertainment from Lethem, one of contemporary fiction’s most inspired risk-takers. Don’t miss this one.
Pub Date: Oct. 1, 1999
ISBN: 0-385-49183-2
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
BOOK TO SCREEN
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