Top-flight soft-horror novel by Miami-based columnist Due (The Between, 1995). Some 500 years ago, young Dawit of Lalibela, in Abyssinia, was inducted into the 52-member group called The Immortals by the master Khaldun, who had drunk the blood of Christ. Still looking 30, Dawit (now known as David) lives in Miami, his Khaldun-transfused blood so filled with T-cells that no disease or injury can kill him. He is, for all practical purposes, immortal. He's had many careers. He's also had many lovers, wives, and children, and watched age overtake them while he remained young. Today, his daughter Rosalie, from a liaison in New Orleans in the 1920s, lies infirm in a Chicago nursing home. David stops off to administer euthanasia. Then he returns to Jessica, his wife of six years, a Miami reporter who's just started research on a book about disgraceful conditions in nursing homes. The Immortals think themselves above humans, so when David feels threatened by Jessica's research he kills her fellow researcher, Peter. Although he's killed before to protect his identity, his love of Jessica makes him feel, for the first time, guilty for what he's done. David realizes that he doesn't, for once, want to outlive and, to protect his secret, abandon his human family. Will Jessica discover that her husband's immortal? Will he give his blood to her and their five-year-old daughter, Kira, so that they can always be with him? Suspense tightens neatly with modest melodrama but with a big sense of family life. Due is careful to portray David as both hero (he's charming and talented, polylingual, and a published author) and threat. He is, essentially, an alien trying to mimic a life that can never really be his. A sequel seems likely, though it may be hard to keep up the gripping originality here. ($65,000 ad/promo; author tour)
Pub Date: July 16, 1997
ISBN: 0-06-018742-5
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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