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MURDER IN THE CLOISTER

The complexity of Bayard’s fourth historical mystery is both tantalizing and frustrating.

A nun with a secret is murdered, lethal intrigues blossom at court, and dangerous sorcerers lurk around every corner.

Paris, 1399. Ailing King Charles VI sends court author Christine de Pizan, his childhood friend, to the priory at Poissy to copy a manuscript. The visit provides an opportunity for Christine to visit her daughter Marie, a nun there. Accompanying her are her son Thomas, on the verge of manhood; Brother Michel of the Abbey of Saint-Denis; and Henri Le Picart, a court favorite Christine has never trusted. In crisp, formal prose, Bayard presents a huge cast with divergent agendas. On the road to Poissy and in the woods surrounding the priory, there’s talk of dangerous sorcerers hanging around the palace hoping to minister to the king. The party arrives safely, but Christine’s perplexed when the manuscripts turn out to be music, not her forte. She’s reunited with Marie and meets several nuns who become suspects when one of them, Sister Thérèse, dies mysteriously. The news that Thérèse harbored an important secret and the rumor that Henri has an illegitimate daughter at the priory encourage Christine to investigate. She accepts restless Sister Juliana, who wants to leave the priory, as an assistant. Back at court, suspicion grows that the Duke and Duchess of Burgundy are a threat to the king, and lady-in-waiting Symonne du Mesnil flees. The prostitute Marion, an old friend of Christine's, heads for Poissy to find Symonne and help Christine, adding yet more characters and threads to the author’s already overstuffed canvas.

The complexity of Bayard’s fourth historical mystery is both tantalizing and frustrating.

Pub Date: April 6, 2021

ISBN: 978-0-7278-8945-4

Page Count: 224

Publisher: Severn House

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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