An intriguing mix of fantasy, mystery, and mental illness.
Home alone at Brightwood Hall, 11-year-old Daisy worries about her missing mother with each passing day. Her unease grows when a stranger arrives—a man who seems to want Brightwood all to himself. Despite her naiveté, readers will connect with Daisy and her dilemma. Bound to her home by agoraphobia and a sense of duty to protect Brightwood, Daisy seeks helps from the black-and-white specter of a girl named Frank. Brilliantly conceived by Unsworth, Frank is both a figment of Daisy’s imagination and the embodiment of Daisy’s cognitive development and character growth. Frank knows what Daisy knows and nothing more, but she forces Daisy to confront the truth about her situation. Brightwood seems like a magical place filled with wonder, animate objects, and talking animals, but as Daisy battles her fears and fights back against the man who wants Brightwood, she slowly comes to terms with the possibility that Brightwood is a place built on unresolved grief and mental illness. The book’s compassionate handling of sensitive subject matter is a trade-off for its tidy, uncomplicated ending, which doesn’t allow readers to see the healing process between two of the book’s major characters. Daisy is never described beyond her black hair, adding further ambiguity to the text.
Subtle and thought-provoking, the novel is entertaining and heartfelt as well as a gentle introduction to the world of mental illness. (Fiction. 9-12)Pub Date: Sept. 27, 2016
ISBN: 978-1-61620-330-6
Page Count: 272
Publisher: Algonquin
Review Posted Online: June 22, 2016
Kirkus Reviews Issue: July 1, 2016
Categories: CHILDREN'S MYSTERY & THRILLER | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S HISTORICAL FICTION
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Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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