by Tanya Biank ‧ RELEASE DATE: Feb. 5, 2013
An eye-opening account of a military in transition.
Biank (Under the Sabers: The Unwritten Code of Army Wives, 2006) analyzes the increasingly important role played by women in the military.
The author, whose first book was developed into the popular TV series Army Wives, follows the military career of four women currently playing a vital role in today’s integrated armed forces: Brig. Gen. Angela Salinas, the Marine’s first Hispanic female general; 2nd Lt. Bergan Flannigan, a military policewoman in Afghanistan; Sgt. Amy Stokley, who drives recruits at Parris Island; and Maj. Candice O’Brien, who struggles through deployment to Afghanistan with a strained marriage and two children back at home. Biank shows forcefully how this commitment to service still runs up against sexism and prejudice. Three of the four served tours of duty in Iraq and Afghanistan, yet nonsensically, by law, women are still prevented from deployment in combat. Women in the armed forces train to the same standards of excellence as their male colleagues who qualify for combat, and they must maintain the same levels of physical fitness and endurance. In Iraq, when Stokley was a driver, her truck came under attack, and one of her passengers died. Flannigan lost her leg to a roadside booby trap when working to train the Afghan National Police. Biank follows the careers of the four individuals over time, as they advance in their chosen spheres. Salinas chose to continue to serve when she was told by a corporate headhunter that she “would not find what you have in the Marines here….You're not going to find loyalty or camaraderie here like you're used to.”
An eye-opening account of a military in transition.Pub Date: Feb. 5, 2013
ISBN: 978-0-451-23922-8
Page Count: 368
Publisher: NAL Caliber/Berkley
Review Posted Online: Dec. 10, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by Tanya Biank
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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