A pleasant coming-of-age tale with well-developed main characters.
A young Canadian woman in the 1920s learns about herself as she gets her first job in Williams’ historical novel.
In 1927 Vancouver, 17-year-old Clara Wilson, who’s still mourning the death of her mother five years prior, finds out quite suddenly that she, her father, and her slightly older sister, Louisa, are about to be evicted. She decides to go apply for a job at the Hotel Hamilton, a luxury hotel set to open the next month, and Louisa tags along against Clara’s wishes. As Clara fills out an application, she meets a spoiled young woman named Jane Morgan. All three young women make it through the application process to train to be maids. It turns out that snobbish Jane turned down the suitor that her parents picked for her, so she’s working in order to avoid being shipped off to England to live with an elderly relative. Clara sympathizes, but Jane’s privilege and laziness get on her nerves and nearly sabotage a test they must pass together. Clara’s afraid to complain to those in charge, as Jane’s uncle knows the hotel’s owner. However, when Jane shifts blame for her own mistakes onto Clara, the latter panics and acts in ways that may cost her the job she so desperately wants. The sisters also must deal with their father’s heavy drinking and unemployment and have only a month to cover their outstanding rent. Williams’ depiction of the complexity of the often tense relationship between the sisters is the highlight of the novel as a whole. Clara’s interactions with Louisa, an aspiring actress, are frequently fraught, as Clara feels obligated to watch out for her sibling but is jealous of her beauty and her seeming ease with navigating the world around her. They frequently antagonize each other but also help each other out. There are some nice period details throughout the novel, too, including bits of 1920s slang and headlines about Charles Lindbergh’s trans-Atlantic flight in the Spirit of St. Louis. The story can be slow in spots, bogged down by unnecessary detail, but it has a satisfying ending.
A pleasant coming-of-age tale with well-developed main characters.Pub Date: Aug. 13, 2022
ISBN: 978-1-989144-16-9
Page Count: 290
Publisher: Rippling Effects
Review Posted Online: Oct. 3, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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