Small-town life has Cole down.
Everyone and everything in Webster, aka “the Web,” is holding him back. He dreams of moving to Vancouver after senior year to avoid the prospect of a ho-hum life with a boring job, wife and kids. Breaking up with Lauren is the first step on his new path to an exciting life as a filmmaker. As far as he’s concerned, he’s single, notwithstanding an “accidental post-breakup sex scene” with Lauren. So even when he starts hanging out with Hannah, an assertive, sexy girl who steps in as soon as news of the breakup gets around, he doesn’t think of himself as anyone’s boyfriend. His mother died less than a year ago, and like his father, he finds solace in drink. Filmmaking gives Cole needed distance from his home life, which sometimes feels like “part of a mandatory group project, like in health class.” While he’s working on a documentary that he thinks will reveal how tangled Webster’s residents are in its web, he’s utterly clueless about the real drama right in front of him—Lauren’s pregnant. Cole eventually finds that everyone’s life is complicated, and he’s the only one who feels trapped.
Clever chapter headings move the story toward a tidy ending, and Cole’s voice is convincingly filled with a combination of angst and nonchalance. (Fiction. 12–17)Pub Date: Oct. 15, 2013
ISBN: 978-1-4424-8070-4
Page Count: 320
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.
When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.
Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)Pub Date: Oct. 2, 2018
ISBN: 978-1-4814-8196-0
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT FAMILY
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A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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