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ME AND BANKSY

Appropriately provocative.

When her school’s state-of-the-art security system becomes a vehicle for cyberbullying, a fan of the activist artist launches a rebellion.

Dominica, 13, is an aspiring artist from a white, affluent Vancouver, British Columbia, family. Her widowed mother runs a catering business; her grandmother, an art gallery owner, pays the hefty tuition for Dom’s private school, where cameras were recently installed throughout, an initiative to keep students safe (the school’s Latin motto translates as “security breeds success”). After the security system’s hacked, embarrassing, edited videos of individuals, including Dom, are posted to the school’s student forum. She’s forbidden a social media account, but that doesn’t prevent Dom’s exposure on others’ social media feeds. PixSnappy alerts her when she’s tagged: “see what your friends are up to.” The school eliminates its student forum; the cameras remain. Dom mounts secret, Banksy-inspired critiques of the surveillance, illustrating how privacy erosion facilitates cyberbullying. Meanwhile, her friends help her seek the culprit. If some adult characters’ motives seem far-fetched, the students’ powerful, emotional reactions to the amplified victimization are entirely credible. The mystery of who’s behind the hacking (and their motives) holds readers’ interest. When solved, questions linger: What should happen to impulsive words and acts recorded, altered, and immortalized on social media? How much privacy are we willing to surrender for the promise of safety and security? Kyi’s nonfiction exploration of high-tech spying, Eyes and Spies (2017), makes a natural companion.

Appropriately provocative. (author’s note) (Fiction. 10-14)

Pub Date: Jan. 7, 2020

ISBN: 978-0-7352-6691-9

Page Count: 224

Publisher: Puffin/Penguin Random House Canada

Review Posted Online: Oct. 22, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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THE TRUE BLUE SCOUTS OF SUGAR MAN SWAMP

A rollicking, ripping tall tale with ecological subtext.

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When rogue feral hogs and a greedy developer threaten to wipe out Sugar Man Swamp, two raccoons know it’s time to rouse the legendary Sugar Man.

Mythic Sugar Man has reigned over Sugar Man Swamp for a “gazillion yesterdays.” Raccoons Bingo and J’miah descend from a line of Official Scouts Sugar Man designated to watch over the swamp and alert him in an emergency. Twelve-year-old Chap has also grown up along the swamp, where his mother operates Paradise Pies Café. Like his recently deceased grandfather, Chap cherishes the swamp. When the swamp’s sleazy owner, Sunny Boy Beaucoup, threatens to evict them to convert the swamp into Gator World Wrestling Arena and Theme Park, Chap takes his grandfather’s place to preserve what he loves. When Bingo and J’miah discover feral hogs descending on the swamp to pulverize the native sugarcane, they risk Sugar Man’s wrath and wake him. Set in the east Texas bayou, like The Underneath (2008) and Keeper (2010), this playful tale teems with bayou flora, fauna and folklore. In a honeyed dialect, the omnipresent narrator directly engages readers, ricocheting between the hilarious human and critter dramas to a riotous finale.

A rollicking, ripping tall tale with ecological subtext. (art not seen) (Fantasy. 10-14)

Pub Date: July 23, 2013

ISBN: 978-1-4424-2105-9

Page Count: 384

Publisher: Atheneum

Review Posted Online: April 13, 2013

Kirkus Reviews Issue: May 1, 2013

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MUSIC FOR TIGERS

A beautiful conservation story told in a rich setting and peopled with memorable characters.

Unlike the rest of her nature-obsessed family, Louisa wants to be a musician, not a biologist.

But when Louisa’s mother finds out that the Australian government is about to destroy the Tasmanian rainforest camp their family has managed for decades, she insists that Louisa leave Toronto and spend the summer on the strange, small island with her even stranger uncle Ruff. But when Uncle Ruff gives Louisa a copy of her great-grandmother’s journal, Louisa becomes fascinated with her family’s history of secretly protecting endangered species, including the mysterious Tasmanian tiger, widely regarded as extinct. With the help of her new friend and neighbor Colin—a boy who has autism spectrum disorder—Louisa deepens her connection with her family’s land, with history, and with her love of music. Kadarusman masterfully creates a lush, magical world where issues associated with conservation, neurodiversity, and history intersect in surprising and authentic ways. The book’s small cast of characters (principals seem all White) is well drawn and endearing. Crucially, the author acknowledges the original, Indigenous inhabitants of the land as experts, something rarely seen in books about environmental degradation. Louisa’s narratorial voice strikes the right balance of curiosity, timidity, and growing confidence, and her character’s transformation feels both incredibly natural and incredibly rewarding to behold.

A beautiful conservation story told in a rich setting and peopled with memorable characters. (Fiction. 10-14)

Pub Date: April 28, 2020

ISBN: 978-1-77278-054-3

Page Count: 192

Publisher: Pajama Press

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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