Appropriately provocative.



When her school’s state-of-the-art security system becomes a vehicle for cyberbullying, a fan of the activist artist launches a rebellion.

Dominica, 13, is an aspiring artist from a white, affluent Vancouver, British Columbia, family. Her widowed mother runs a catering business; her grandmother, an art gallery owner, pays the hefty tuition for Dom’s private school, where cameras were recently installed throughout, an initiative to keep students safe (the school’s Latin motto translates as “security breeds success”). After the security system’s hacked, embarrassing, edited videos of individuals, including Dom, are posted to the school’s student forum. She’s forbidden a social media account, but that doesn’t prevent Dom’s exposure on others’ social media feeds. PixSnappy alerts her when she’s tagged: “see what your friends are up to.” The school eliminates its student forum; the cameras remain. Dom mounts secret, Banksy-inspired critiques of the surveillance, illustrating how privacy erosion facilitates cyberbullying. Meanwhile, her friends help her seek the culprit. If some adult characters’ motives seem far-fetched, the students’ powerful, emotional reactions to the amplified victimization are entirely credible. The mystery of who’s behind the hacking (and their motives) holds readers’ interest. When solved, questions linger: What should happen to impulsive words and acts recorded, altered, and immortalized on social media? How much privacy are we willing to surrender for the promise of safety and security? Kyi’s nonfiction exploration of high-tech spying, Eyes and Spies (2017), makes a natural companion.

Appropriately provocative. (author’s note) (Fiction. 10-14)

Pub Date: Jan. 7, 2020

ISBN: 978-0-7352-6691-9

Page Count: 224

Publisher: Puffin/Penguin Random House Canada

Review Posted Online: Oct. 23, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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Middle school worries and social issues skillfully woven into a moving, hopeful, STEM-related tale.


Following the precise coordinates of geocaching doesn’t yield the treasure Kirby Zagonski Jr. seeks: his missing father.

Geeky eighth-grader Kirby can’t understand why his mother won’t call his dad after their generous landlady dies and they’re evicted for nonpayment of rent. Though his parents have been divorced for several years and his father, a wealthy developer, has been unreliable, Kirby is sure he could help. Instead he and his mother move to the Community Hospitality Center, a place “for the poor. The unfortunate. The homeless.” Suddenly A-student Kirby doesn’t have a quiet place to do his schoolwork or even a working pencil. They share a “family room” with a mother and young son fleeing abuse. Trying to hide this from his best friends, Gianna and Ruby, is a struggle, especially as they spend after-school hours together. The girls help him look for the geocaches visited by “Senior Searcher,” a geocacher Kirby is sure is his father. There are ordinary eighth-grade complications in this contemporary friendship tale, too; Gianna just might be a girlfriend, and there’s a dance coming up. Kirby’s first-person voice is authentic, his friends believable, and the adults both sometimes helpful and sometimes unthinkingly cruel. The setting is the largely white state of Vermont, but the circumstances could be anywhere.

Middle school worries and social issues skillfully woven into a moving, hopeful, STEM-related tale. (Fiction. 10-14)

Pub Date: Sept. 12, 2017

ISBN: 978-1-68119-548-3

Page Count: 256

Publisher: Bloomsbury

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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Uneven pacing and clunky writing undermine this examination of trauma and PTSD.


Matthews, of the Dave Matthews Band, and co-author Smith offer a fantasy that explores the damage done by violence inflicted by one people against another.

Ten-year-old Kirra lives in an idyllic community hidden for generations inside a dormant volcano. When she and her little brother make unwise choices that help bring the violent, spindly, gray-skinned Takers to her community—with devastating results—Kirra feels responsible and leaves the volcano. Four years later, Kirra’s been adopted into a family of Tree Folk that live in the forest canopy. Though there are many Tree Folk, individual families care for their own and are politely distant from others. Kirra, suffering from (unnamed) PTSD, evades her traumatic memories by avoiding what she calls “Memory Traps,” but when the Takers arrive in the forest, she must face her trauma and attempt to make a community of the Tree Folk if they’re to survive. Although Kirra’s struggles through trauma are presented with sympathy and realistically rendered, some characters’ choices are so patently foolish they baldly read like the plot devices they are. Additionally, much preparation goes into one line of defense while other obvious factors are completely ignored, further pushing the story’s credibility. Kirra is brown skinned, as is her first family; Tree Folk appear not to be racially homogenous; and the Takers are all gray skinned.

Uneven pacing and clunky writing undermine this examination of trauma and PTSD. (Fantasy. 10-14)

Pub Date: March 3, 2020

ISBN: 978-1-4847-7871-5

Page Count: 304

Publisher: Disney-Hyperion

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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