Neither gender really wins in this modern Much Ado About Nothing.
Aurora’s saving her first kiss for a mythical, modern-day Prince Charming, until a school production of Shakespeare requires that she kiss a longtime nemesis.
Spoiler alert: Aurora ends up in love with her handsome, kindhearted, longtime admirer and playful rival, Hayden. Though this is a foregone conclusion, considering the novel is a retelling of Much Ado About Nothing, the silly antics required to unite these two white, beautiful foes generate decent romantic tension. But while the high school theater production does deliver laughs as the student cast attempts to co-opt the direction of the play from their exasperated theater teacher, Aurora and Hayden’s interactions are stilted by comparison. Her smug attitude about the general cluelessness of men (a view shared by her equally beautiful and seemingly privileged group of girlfriends, almost all white) often makes her seem more shallow than the males she mocks for their lack of chivalry. Aurora and her girlfriends design elaborate schemes to both garner and manipulate male attention, and they judge men almost entirely on their appearances. They repeatedly note their love interests’ hotness and worry that Aurora’s secret admirer may be, gasp, a nerd. And Aurora’s ongoing rejection of Hayden’s admiration makes it difficult to fathom how he understands that beneath her prickly exterior waits a lonely girl hoping for love.
Neither gender really wins in this modern Much Ado About Nothing. (Romance. 12-16)Pub Date: Oct. 25, 2016
ISBN: 978-1-250-04953-7
Page Count: 320
Publisher: Dunne/St. Martin’s Griffin
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...
A harrowing tale of survival in the Killing Fields.
The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)Pub Date: May 8, 2012
ISBN: 978-0-06-173093-1
Page Count: 224
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
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