Stunning and complex; a book that admits no easy answers but also refuses to avoid the hard questions.
A woman navigates the aftermath of an earlier disaster as Hurricane Sandy bears down on New York City.
Marissa is in her 20s and working as an editorial assistant for a luxury travel magazine in Manhattan. A large part of her job consists of writing adjective-heavy copy for photographs in the Top Five series, inevitably including vacation destinations whose natural splendor and isolation remind her of the “tiny, uninhabited island in the Andaman sea” off the coast of Thailand where she grew up. In the wake of her mother’s death, her grieving father moved 6-year-old Marissa from New York to the island to continue his late wife’s research on manta ray reproduction. On her first week of school in Phuket, Marissa meets Arielle, a Thai British girl who quickly becomes closer to her than anyone in her life. Weekends and holidays, Arielle and Marissa live on the island and consider themselves “creatures of the sea,” like the manta rays whose individual identities they can recognize even from a distance. When school is in session, the girls haunt the kitchens of Arielle’s parents’ hotel and enact retribution on the predatory guests who flock to Thailand “in droves knowing they can have a woman for a price.” Then, on Dec. 26, 2004, the Indian Ocean tsunami hits their home, and everything changes. Seven years later, unable to live in the “ghost town” Phuket became after the tsunami, Marissa drifts through life, haunted by sorrow for what she has lost and incapable of imagining a future without the ghosts she carries within. Oscillating between the days leading up to the tsunami and the hours before Sandy hits New York in 2012, this debut novel tenderly and yet unflinchingly mines Marissa’s grief as it meditates on friendship, loss, and the shimmering beauty of memory—as ephemeral as the light that filters down through shallow ocean waters and just as enduring.
Stunning and complex; a book that admits no easy answers but also refuses to avoid the hard questions.Pub Date: March 17, 2026
ISBN: 9798217048311
Page Count: 224
Publisher: Riverhead
Review Posted Online: Dec. 11, 2025
Kirkus Reviews Issue: Jan. 15, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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