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THE UPCYCLED SELF

A MEMOIR ON THE ART OF BECOMING WHO WE ARE

An eloquently insightful autobiography from an iconic rapper and wordsmith.

Renowned hip-hop artist Trotter, aka Black Thought, describes how his most important relationships affected his art and his life.

At the age of 6, Trotter accidentally burned down his family’s home. While his family quickly forgave him, understanding that he was just a child, “that experience of total loss became the basis of all that I am.” He continues, “When I was six, there were parts of me, subconscious maybe, that marked my fiery mistake as the beginning of the unraveling of my family. I internalized a simple narrative: it was my fault.” By the time Trotter was 16, his experiences as a young graffiti artist, a student at Philadelphia High School for the Creative and Performing Arts, and a witness to the destructive force of the crack epidemic unfolding in his beloved neighborhood in South Philadelphia, made him realize that his community’s struggles—and, in particular, his mother’s murder—were caused by circumstances that began long before his birth. Although he fondly describes his loving relationship with his grandmother, who had high hopes for Trotter and his half-brother, “her only grandkids,” Trotter’s family life was far from stable. Long before he dealt with his mother’s crack addiction and subsequent death, the author also endured his father’s murder. Throughout these extremely difficult times, Trotter credits his access to art and his strong sense of community with his ability to eventually heal. Beyond his family story, the author traces the origin of his musical group The Roots, focusing particularly on his decadeslong friendship with Ahmir Thompson, aka Questlove. The book’s lyricism, clarity, and tone beautifully reflect Trotter’s facility with words, which he has demonstrated for years in the studio and on stage. Although the storyline sometimes meanders, overall, the author’s vulnerability, circumspection, and compassion render this an outstanding read.

An eloquently insightful autobiography from an iconic rapper and wordsmith.

Pub Date: Nov. 14, 2023

ISBN: 9780593446928

Page Count: 176

Publisher: One World/Random House

Review Posted Online: Sept. 5, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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KIDS, WAIT TILL YOU HEAR THIS!

MY MEMOIR

An old-school Hollywood tell-all with all the trimmings, traumas, and bold-face names.

A great American character claims her double legacy of genius and addiction.

Calling herself “the original nepo-baby,” the daughter of Judy Garland and Vincente Minnelli offers a raw and revealing look at a life shaped by fame and personal struggle. At the heart of Minnelli’s story is her fraught relationship with her volatile mother. While stressing that “our love was what mattered,” life with Judy was no picnic. The night before her fifth birthday, she accidentally kicked her mother in the head while watching TV, permanently scarred by lesson that “if Mama got angry, she was the most terrifying person in my life.” Garland’s addictions made her unstable and unreliable, forcing her daughter to take on adult responsibilities at a very young age. A veteran performer by the time she was in double digits, she won the first star in her EGOT crown (Emmy, Grammy, Oscar, and Tony awards) at age 19 for her role in the musical Flora the Red Menace. This was also her first work with John Kander and Fred Ebb, musical collaborators in her most iconic successes: Cabaret, Liza With a “Z,” and New York, New York. Minnelli describes taking her first Valium in 1969 at the time of her mother’s death from an overdose, unwittingly assuming the mantle of addictions that would mar her public and private life for decades. In and out of the Betty Ford Center, she finally achieved sobriety in 2015, on the eve of her 70th birthday. As the title suggests, she has great stories, and, with the help of her dear friend Feinstein and co-writers Getlin and Evans, she leaves out none of the juice. From her torrid, cocaine-fueled romance with Martin Scorsese (both were married at the time, and she cheated on both husband and lover with Mikhail Baryshnikov) to her falling-out with Lady Gaga at the Oscars in 2022, she spares neither herself nor anyone else and, in the process, reclaims her once very tattered dignity in a moving and remarkable way.

An old-school Hollywood tell-all with all the trimmings, traumas, and bold-face names.

Pub Date: March 10, 2026

ISBN: 9781538773666

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: March 10, 2026

Kirkus Reviews Issue: April 15, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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