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WHERE ARE WE TOMORROW?

An often intriguing and emotional look at lives on and off the road.

Roadies take a break from touring to rethink their lives in Black’s novel.

The people who work for rock star Sadie Estrada are like family, for good or ill. Among them are Alex, the tour electrician, and Lily, Sadie’s long-suffering personal assistant. Alex loves her job, but when she discovers that she’s pregnant, she quits to settle down with her boyfriend, Connor. He feels panicky about the baby, as he already has a grown daughter whose life he’s not much involved with. Then Alex miscarries, and she decides to return to tour life—although some of the joy is gone now that she no longer has seniority. During a concert in Italy, part of the rig falls and injures Sadie, and the crew blames Alex even though she knows she had nothing to do with it. The four women roadies on the tour—Alex, Lily, and two other stagehands—decide to rent a house in Tuscany for a vacation while the tour is stalled, and they bond on their trip. Lily is fed up with the abuse she gets from Sadie; Alex talks about her miscarriage and how painful it was. The pair think about staying in Italy, but their lives manage to catch up with them. Seeing the world of rock performance through the eyes of the roadies takes some of the glam away—they work hard, stay in bad hotels, and travel so much they can’t keep track of where they are, as noted in the title. This aspect of the novel is compelling, as most novels about rock bands follow around the musicians and not the behind-the-scenes crew. But although the plot moves quickly, it feels more like a mere series of events than an arc, and the ending leaves a few things unresolved. Still, Black does a nice job of describing the Tuscany setting, as when the vacationing women reach their destination in a remote village: “The rental house sat two hundred feet beyond a tall stone wall and looked like a place where even the most tightly wound show tech could rest.”

An often intriguing and emotional look at lives on and off the road.

Pub Date: May 31, 2021

ISBN: N/A

Page Count: 236

Publisher: TouchPoint Press

Review Posted Online: May 10, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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SWAN SONG

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

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A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.

Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

Pub Date: June 11, 2024

ISBN: 9780316258876

Page Count: 384

Publisher: Little, Brown

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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