by Tawni O’Dell ‧ RELEASE DATE: July 1, 2004
Powerful and uncompromising, yet radiant with love: this one's pretty close to a masterpiece.
Triumphantly fulfilling the promise of her bestselling debut (Back Roads, 2000), O’Dell examines the tangled, enduring bonds of family and community in a Pennsylvania mining town.
After 16 years in Florida, Ivan Zoschenko has come back to Coal Run as deputy to its easygoing sheriff, who seems unfazed by his crippled knee and heavy drinking. To the locals, Ivan is still the legendary college football player destined for the pros until he injured himself in a freak accident at the abandoned mine where his father and 96 other men died in an explosion when Ivan was 6. The sense of having let them down drove him to drink and to Florida, but as the story unfolds in a narrative that mingles present-day action with Ivan's memories, we realize that guilt over a graver misdeed also fuels his self-destructive behavior. Once again, O’Dell inhabits a male mind with sensitivity and acuity. Ivan's cluelessness about women would seem improbable if his first-person narration didn’t reveal emotional scars that blinker his probing intelligence. The author surrounds her hero with full-bodied, vividly rendered characters: his proudly sexual, fiercely independent sister; the Vietnam vet he adored as a boy; his uncomplaining mother, irreparably wounded by her beloved husband’s death; and Reese Raynor, Ivan’s dark shadow, who beat his young wife into a coma and whose release from jail propels the plot. O’Dell doesn’t soften the lasting damage inflicted on Coal Run and its inhabitants by the J&P Coal Company (all the more contemptible because the characters take it for granted), but against it she sets a passionate affirmation of the communal ties that send the local doctor out to give vaccinations to poor kids and bring everyone to the old mine each year for a memorial service to the dead miners. The tendency to melodrama that occasionally marred her first book is transformed here into a searing tragic vision of working-class people whose dignity comes from stoically doing their jobs, a phrase repeated with increasing resonance as the novel closes with the suggestion that Ivan can now move toward reconciliation with the past and hope for the future.
Powerful and uncompromising, yet radiant with love: this one's pretty close to a masterpiece.Pub Date: July 1, 2004
ISBN: 0-670-89995-X
Page Count: 368
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
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by Tawni O’Dell
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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