Reid's heroine reveals her darkest secrets as if she were wiping off makeup at the end of the night—a celebration of human...
An aging starlet with seven marriages behind her generously offers the rights to her memoir to an inexperienced writer—at a heartbreaking cost.
Monique Grant is stunned when Hollywood legend Evelyn Hugo grants an exclusive interview to her over more seasoned journalists, but when she’s also chosen to publish Evelyn’s final confessions after her death, she learns that the 79-year-old actress has enough life experience for them both. Growing up poor in Hell’s Kitchen, young Evelyn Herrera trades her virginity for a ride to Hollywood, changes her name, and climbs the rungs of the entertainment-industry ladder one husband at a time until she hits Oscar gold. To write her off as being calculating and fickle would leave out the difficulty of being a woman, especially a woman of color, trying to get by in the late 1950s without a man’s blessing. Evelyn plays up her bombshell figure and hides her Cuban roots by dying her hair blonde—the first of many lies she’ll have to tell over the course of her life to prove to the world that she deserves her place in the spotlight. She’s unapologetically ambitious but not without remorse. Which of her seven husbands was her true love? Why did she choose Monique to tell her story? Evelyn recounts her failures and triumphs in chronological order, one husband at a time, with a few breaks for Monique to report back to her editor. The celebrity tell-all style is a departure from Reid’s (One True Loves, 2016, etc.) previous books, but Evelyn Hugo is a character who can demand top billing. When asked if it bothers her that “all anyone talks about when they talk about you are the seven husbands of Evelyn Hugo,” she says no: “Because they are just husbands. I am Evelyn Hugo.”
Reid's heroine reveals her darkest secrets as if she were wiping off makeup at the end of the night—a celebration of human frailty that speaks to the Marilyn Monroe and Elizabeth Taylor in us all.Pub Date: June 6, 2017
ISBN: 978-1-5011-3923-9
Page Count: 400
Publisher: Atria
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK TO SCREEN
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
A little slower-paced than the typical Roberts romantic mystery (Black Hills, 2009, etc.) but every bit as steamy. It may...
A dog trainer and a wood craftsman dance around love and danger in the Pacific Northwest.
Fiona Bristow is the only victim who got away from serial killer George Perry. Now a copycat, inspired and perhaps guided by the jailed Perry, is on her trail. After Perry murdered her fiancé, Fiona rebuilt her life as a dog trainer and search-and-rescue expert on lovely Orcas Island. She’s recently met talented woodworker Simon Doyle and his misbehaving puppy Jaws, and her dormant love life is about to revive as she and the reluctant Simon slowly build a complicated relationship. Though she’s done her best to overcome her fears and make herself whole again, this new series of killings, with herself as the ultimate target, can’t help but strain her nerves. As the police and FBI track the killer, a persistent reporter makes Fiona’s life more difficult by printing information about her life and location. Through it all, Fiona keeps working. As she continues to go on rescue missions with a team that may soon include Simon and Jaws, her friends help to keep her balanced. But ultimately it will be the trust she has built up with Simon and the talents of her dogs that will change her life forever.
A little slower-paced than the typical Roberts romantic mystery (Black Hills, 2009, etc.) but every bit as steamy. It may well add dog lovers to her legion of fans.Pub Date: July 7, 2010
ISBN: 978-0-399-15657-1
Page Count: 496
Publisher: Putnam
Review Posted Online: March 6, 2011
Kirkus Reviews Issue: April 15, 2010
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