A spunky and jubilant love letter to superhero fans.

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COLLATERAL DAMAGE

This YA debut stars two orphans who live in a city that benefits from—yet is somewhat plagued by—superheroes.

Seventeen-year-old Meg Sawyer resides in Lunar City. The metropolis suffers hardly any crime thanks to the Genetically Enhanced SuperVariant Program, which uses a serum to give people superpowers. Four heroes exist at a time, each with one of four abilities—telekinesis, invisibility, speed, and strength—and they serve for two years before giving up the skills. While Lunar City is safe from normal crime, the Supers frequently battle exotic villains, like Doctor Defect, in broad daylight. Both of Meg’s parents died during chaotic super-fights that trashed the city. But Meg is unsinkable. She’s got her GED, works at The Pure Bean cafe, and is best friends with a fellow orphan, 18-year-old Oliver Lee. One night, after super-fighting damages the cafe, Meg hustles to deliver a financial claim to City Hall. She finds Super No. 3 in a dumpster, injured. He says that his time as a hero is almost over, and he’d like to give her money for a fresh start in a safer city. Meg is overjoyed and hopes that Oliver will join her. But before leaving, she stumbles on evidence that the changing of the superhero guard is a more sinister affair than the public realizes. In this novel, Simonds dances gracefully on the line between realism and the many colorful tropes of the superhero genre (including chemical spills and animal bites). Excellent pacing regularly introduces characters who keep the plot fresh and fun, like Juniper Jensen, a “biogenetic engineering assistant” who helped create the Super serum. When Meg sneaks into the Saint Charles’s Academy to discover the identity of one of the Supers, aficionados of the Spider-Man comics and films should be charmed by clever—and nerdy—plot developments. Later twists, some more predictable than others, generate higher stakes for the heroes and Lunar City organically. The author maintains a consistent YA tone, never indulging in over-the-top content that some writers in the genre lean on. The potential sequel has an incredible jumping-off point.

A spunky and jubilant love letter to superhero fans.

Pub Date: June 25, 2019

ISBN: N/A

Page Count: 309

Publisher: The Parliament House

Review Posted Online: April 22, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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