A deft examination of sexuality, history, and father-son relationships.
A Pakistani boy is riven by duty and legacy and by his own desires.
At 16, Fahad is a bookish, sensitive boy who can't seem to evade the critical eye of his tyrannical father, Rafik, in their home in Karachi. His hopes to spend the summer holidays in London with his doting mother are dashed when Rafik demands that the boy join him at the family’s rural estate in Abad. Just as he's attempting to cultivate the lush jungle into farmland, Rafik intends to subdue his son’s softer tendencies, to make “a man” of him, so that eventually the boy may grow up to assume power over the family estate himself. To accomplish this, Rafik introduces Fahad to local boy Ali, who appears, at first, to be his foil: tough, brooding, and dutiful. However, as the summer advances and the boys grow closer, Fahad finds himself attracted to Ali, a seductive spell that overflows into an admiration for the overgrown jungle that his father is attempting to tame at all costs. As the relationship between the two boys blossoms, Rafik’s abuses of power take new extremes as he enlists his workers in building a dam whose construction is not only costly and ambitious, but places all of their lives at risk. A couple of decades later, Fahad has managed to effectively escape his father’s grip. A successful writer, he has made a comfortable life for himself in London with his partner. However, a phone call from his mother threatens the stability and ease he has finally achieved: His parents are on the verge of losing their home in Karachi, and his presence is required to manage the estate in Abad. Back in Abad, Fahad observes his once-despotic father’s descent into dementia as his own mind is deluged with memories of his romance with Ali. In third-person chapters that alternate between Rafik’s and Fahad’s points of view, the novel deftly captures the way the past—both memories and inheritances—informs the present and the future. Despite its concern for the past though, the narrative never feels stalled, moving forward with urgent and emotionally resonant prose.
A deft examination of sexuality, history, and father-son relationships.Pub Date: July 12, 2022
ISBN: 978-0-3746-0464-6
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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