In his fifth novel (East is East, 1990, etc.), one of America's most exuberant satirists takes on the national obsession with health and nutritional fads. It's a perfect fit. Battle Creek, Michigan, 1907, breakfast-food capital of the US. C.W. Post (Grape-Nuts) and the Kellogg brothers have already made their fortunes, but there's still a gold rush atmosphere in town. The inventor of the corn flake, Dr. John Harvey Kellogg, a preening martinet, now devotes himself to his Sanitarium (``luxury hotel, hospital and spa all rolled into one''), where he denounces meat-eating, enforces a five-enema-a-day regimen, and keeps his wealthy patients busy with such wacky treatments as the sinusoidal bath. Two of those patients are Will and Eleanor Lightbody of Peterskill, New York. While Eleanor talks up the San with fanatical zeal, the skeptical Will, struggling miserably with the cardboard food and fatuous pieties of his fellow-diners, is as lonely as Winston Smith in 1984. Another New York arrival, engaging young hustler Charlie Ossining, is in town to start his own breakfast- food company with partner Bender. What follows is a weave of satire and melodrama and three storylines: the lurid struggle-to-the-death between the Doctor and his outcast son George (the only one of 42 adopted kids to invalidate Kellogg's child-rearing principles); the equally melodramatic vicissitudes of Charlie; and the Lightbodys' marital drama, which climaxes when Will regains his sense of self and rescues Eleanor from the womb-manipulator Spitzvogel. Any raggedness is more than compensated for by Boyle's Dickensian eye for the grotesque and his formidable narrative power; most fittingly, for a book about the body, Boyle is one of those gloriously physical writers who can describe a simple walk on a cold night in a way that makes your blood tingle. Big, smart, exciting, and often wildly funny. (First printing of 100,000; first serial to Rolling Stone; film rights to Alan Parker)
Pub Date: May 1, 1993
ISBN: 0-670-84334-2
Page Count: 496
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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SEEN & HEARD
SEEN & HEARD
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
SEEN & HEARD
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