Amid the changing allegiances and alliances, sex eventually has consequences, though the reader wearied by two years of this...
Soap opera, satire, and religious allegory find an uneasy balance within this earthbound version of a space colony.
There’s a lot of back story in the latest from the prolific, eclectic Boyle (The Harder They Come, 2015, etc.). As a scientific experiment in the “ecology of closed systems,” with lessons learned for when “we’d have to seed life elsewhere—on Mars, to begin with,” four men and four women are chosen by Mission Control (from 16 finalists) to live in a sealed compound in the Arizona desert for two years. They are designated “Mission Two” after an unfortunate accident aborted “Mission One.” Ultimately, the grand design calls for 50 such two-year missions, a full century of data collection. Three different first-person narrators provide alternating perspectives in separate chapters that advance the plot. Dawn and Ramsay have both been chosen, like the rest, because of media attractiveness to bring public support to an enterprise that relies on it, while Linda, a Korean-American also-ran who remains behind as a monitor on those under glass, feels like her looks and ethnicity have unfairly deprived her. Ramsay maintains that “there are winners and losers in life” and that Linda “was one of the losers.” Dawn and Linda have bonded throughout the training and selection process, but Linda now finds herself transitioning “from best friend to frenemy.” Though the plot also involves a God and a Judas in Mission Control, and eventually an Eve as well, the focus throughout these 500-plus pages rarely shifts from its central obsession: who among “what our species has come to consider prime breeding stock” will pair with whom? Those on the inside gossip and speculate, as does Mission Control, as does the public at large. “Since we were all unmarried, there was endless speculation in the press about which of us might pair up, one rag even going so far as to post odds,” writes Dawn.
Amid the changing allegiances and alliances, sex eventually has consequences, though the reader wearied by two years of this might not much care.Pub Date: Oct. 25, 2016
ISBN: 978-0-06-234940-8
Page Count: 528
Publisher: Ecco/HarperCollins
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 15, 2016
A late autumn retrospective, accomplished with a long lens, in which Lyman Ward, retired, ill and wheelchair-bound, attempts to affirm the continuity of the past and the "Doppler effect" of time by reconstructing his grandparents' lives. This in partial contrast to and rebuttal of his son at Berkeley "interested in change but only as a process. . . in values, but only as data" (the schism of his last book, All the Little Live Things). Much as one respects the amplitude of this novel and its sincerity, it all goes on and on (except for occasional present day interruptions) and one is never really very interested in Susan Burling Ward and her deracination from the cultured East to the uncivilized West in the 1870's by her husband, an engineer. It was always for her an "exile" and except for the terminal incidents ( a muted love affair which resulted in the accidental death of a child, her lover's suicide and permanent separation from her husband) there is almost no narrative incentive. The repose, however pleasant, becomes a kind of narcosis.
Pub Date: March 19, 1971
ISBN: 0141185473
Page Count: 486
Publisher: Doubleday
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: March 1, 1971
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An elegant, understated book about a simple man still leaves something wanting.
In this quiet, serenely powerful novel, a man lives out his life in a remote mountain village as the bulk of the 20th century sweeps past.
Andreas Egger is a small boy, an orphan, when he's brought by horse cart to a small village in the mountains. It's 1902. The farmer who takes him in also beats him, and Andreas leaves when he turns 18. Then he goes about scraping together a living. Left with a bad limp—a vestige of a particularly bad beating—Andreas still wrests his living from the earth through hard physical labor. Decades pass. What else happens? It’s hard to say. This slim novel relies less on the engine of a plot than on the lyricism of its own poetry. Andreas does fall in love, marry, and lose his wife to a devastating avalanche that wrecks their home. The snow sweeps Andreas along in its flow. Similarly, Andreas is swept along by the major moments of the 20th century. Modernity arrives in the form of the cable cars that Andreas helps to erect on the side of the mountain. Later, television and tourists arrive, too, as Andreas looks on. Before that, though, there is the second world war to contend with. Andreas spends two months as a soldier and eight years as a prisoner of war in Russia. But this experience takes up little more than 10 pages, and then Andreas returns home. The novel seems to skim through all of these struggles, small and large, personal and historical. Seethaler, a Vienna-born writer and actor, writes with quiet serenity, elegance, and grace. But there's something almost too smooth about all of this. Lyrical as the work is, in the end it is also somehow slippery and ungraspable. Andreas is born, lives his life, and dies. So do we all. But there must be something more to say about it.
An elegant, understated book about a simple man still leaves something wanting.Pub Date: Sept. 13, 2016
ISBN: 978-0-374-28986-7
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
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