Readers given to queasiness may find the gory details excessive, but fans of crime-solving procedurals will love it.
The real-life saga of Frank Bender, who unexpectedly rode a commercial photography career to a parallel gig reconstructing the faces of unidentified murder victims and suspects.
Now in his mid-60s, Bender calls Philadelphia home, yet his work with clay and other materials on behalf of law-enforcement agencies has taken him to dozens of locales. Botha (Mongo: Adventures in Trash, 2004, etc.) cuts back and forth between Philadelphia, where Bender labors in his studio, and the Mexican state of Chihuahua, across the border from El Paso, Texas, where Bender is helping police identify dozens of the young women murdered year after year dating back to 1993. The chronology jumps around, with 1977 serving as one of the key years. New at ceramics and collaborating with Philadelphia medical examiners, the self-taught, intuitive Bender almost immediately helped solve the cold case of an unidentified murdered woman who turned out to be Anna Duval. Bender’s painted clay cast, photographed and distributed to law-enforcement agencies, caught the attention of a New Jersey policeman who realized it looked like the picture of a former Philadelphia-area resident who had moved to Arizona, then went missing. Early success gave Bender confidence to continue his new occupation, and law-enforcement agencies reason to seek him out. Although the book fits into the true-crime genre, it is as much a biography of Bender. Botha examines his marriage and extramarital affairs, his fathering skills, his friendships and his financial ups-and-downs in addition to documenting cases solved, cases unsolved and the arcane techniques of facial reconstruction.
Readers given to queasiness may find the gory details excessive, but fans of crime-solving procedurals will love it.Pub Date: May 20, 2008
ISBN: 978-1-4000-6533-2
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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