by Ted Simon ‧ RELEASE DATE: June 1, 1997
In this affecting travel memoir, Simon (The River Stops Here, 1994) pursues both a component of his own history and a vision of post-Soviet eastern Europe circa 1994. A Californian reared in wartime England, Simon decided to check out eastern Europe, the one area of the world he had not traveled. (He wrote about his global curcuit by motorcycle in the widely translated Jupiter's Travels, 1980.) He knew virtually nothing of his estranged father's background other than that he was a Romanian Jew who emigrated to London as a young man. The trip, he suspected, would help him deal with the fact that, through much of his life, he had neglected (and even denied) his Jewish heritage. The civil war in Yugoslavia also pressed home on him the realization that the Balkans were more than a global hot spot—they were also his family's old home. From this welter of factors he formed the idea of walking through eastern Europe to connect the two halves of himself, northern Aryan (his mother was from Hamburg) and southern Jew. The result, this book, is lush with personality and anecdote on subjects ranging from the author's shrewd reading of the nature of life behind the now vanished Iron Curtain to eastern European youth's ``tangible sense of self-worth'' in the face of drastic economic decline and hardship. ``It was the society itself that had fallen apart,'' he writes, ``and it was clear that they thought of themselves as part of the solution.'' When, with luck, he finds in the town of Botoani, in Romania, the original record of his father's birth, he notes that ``the handwritten page had for me something of the quality of . . . a piece of clothing that a loved person might have left behind.'' Simon is a connoisseur of travel and travel writing, and his story shines with an understated brilliance. He weaves a vibrant, detailed tapestry of character and experience; his discoveries are manifold. (map, not seen)
Pub Date: June 1, 1997
ISBN: 0-679-44138-7
Page Count: 304
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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by Ted Simon
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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