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Good Americans

From the Human Tragedy series , Vol. 1

Difficult subjects portrayed for readers who want to be challenged as well as entertained.

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This “found” short story collection takes an unabashed look at life in America through a variety of unfortunate eyes.

Through his New Wei publishing company, Desai (The Brotherhood, 2012) presents this collection of six stories—one of which is a told in three-parts—as the first volume of the Human Tragedy series. In these tales, the collection covers a wide range of voices and topics: “Old Guido” tells of a prejudiced Italian immigrant and his accidental relationship with an underage Hispanic girl; the vignette “Bridget’s Brother” confronts loneliness and family ties; “The Apprentice” describes the Dominican-descended Javier, his Asian masseuse and his struggle up the academic ladder toward a tenured professorship; and “The Mountain” involves a philosophical conversation between two friends on a surprisingly dangerous hike. “Malta: a Love Story,” a 138-page odyssey in three parts, follows the eponymous characterfrom one unfortunate turn of events to another, and the final story, “Dhan’s Debut,” follows an ambitious reporter in New York City as she ferrets out the truth behind a charismatic lawyer. While “Dhan’s Debut” is something of a letdown with its out-of-left-field ending, the other stories speak volumes about the human condition and modern life in America. Best of all, despite their difficult subjects, each one achieves that level of consideration without any sense of judgment or moralizing to cloud the experience; it’s left to readers to make up their own minds about what they just witnessed. Though most of the stories have happy endings, they’re not happily-ever-afters. These endings are real: People die, peace is found or made, and lives are changed—or, sometimes, not. Just like our own lives. And therein lies the power of this first volume, which, while not as grandiose or revolutionary as the fictionalized introduction makes it out to be, is a solid collection of rare caliber.

Difficult subjects portrayed for readers who want to be challenged as well as entertained.

Pub Date: Oct. 14, 2013

ISBN: 978-0988351936

Page Count: 370

Publisher: The New Wei LLC

Review Posted Online: Dec. 21, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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