Weak character development and monotonous plotting eclipse an otherwise intriguing premise.
A 16-year-old discovers that she is a ghost and resolves to solve her own murder with the help of her new friends and their supernatural powers.
Echo Stone experiences a rude awakening in a strange place she comes to learn is Middle House, an “orphanage” for ghosts of murder victims. The kids Echo meets there are “in-betweeners,” stuck in a sort of purgatory until they resolve their issues, starting with the question of who murdered them. Bewildered but determined to find answers about her own death, Echo joins the ragtag band of ghostly teenagers, each endowed with unique powers in death, to participate in hauntings of their murderers and exact revenge. Bit by bit, memories of her life before death come back to her as she starts to piece together and investigate a list of suspects, coming to terms with her own actions in the process. A lackluster love triangle among Echo, her former boyfriend, Andy, and ghost love interest, Cole, feels tacked-on, frequently invoked but inorganically developed. Echo’s voice is stilted and histrionic throughout, and the melodramatic turns of events feel forced and scripted. Most characters seem to default to white, though one is described as dark-skinned and another is implied to have mixed Asian heritage.
Weak character development and monotonous plotting eclipse an otherwise intriguing premise. (Paranormal mystery. 16-18)Pub Date: Aug. 8, 2017
ISBN: 978-1-250-05881-2
Page Count: 272
Publisher: Thomas Dunne Books
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Intriguing but convoluted and underdeveloped.
When the veil between life and death is torn, threatening everything and everyone she loves, Célie is determined to take “till death do us part” as a challenge, her role as Bride of Death notwithstanding, in this sequel to The Scarlet Veil (2023).
Célie’s life has very abruptly gone to hell in a handbasket. She’s been turned into a vampire and abandoned by the mysterious and infuriatingly alluring man who turned her. Fearful of hurting her friends, she can’t eat or sleep, and she loathes herself and what she’s become. Célie is also being haunted by her late sister, Filippa. The dead are walking, something is going wrong with magic, and Death himself has manifested in corporeal form to claim his due. Only Célie can mend what’s been broken—but at what cost? This sequel picks up without much time spent reorienting readers to plot points or character dynamics. As in the first book, the drama spools on for too long, only properly picking up momentum about two-thirds of the way through the book. What starts as a slow-burn romance soon becomes quite the opposite, and although the stakes are generally higher than before and there are some very touching moments, the narrative never quite comes together in a satisfying way, and the worldbuilding and characters feel shallow and lack sufficient context. Most characters are light-skinned.
Intriguing but convoluted and underdeveloped. (Paranormal. 16-18)Pub Date: March 25, 2025
ISBN: 9780063258808
Page Count: 624
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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