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THE HAIRDRESSER OF HARARE

Though at times predictable, this touching debut should not be overlooked.

An uncompromising glimpse into contemporary Zimbabwe through the eyes of a young hairdresser.

This sharp, entertaining, and thoughtful debut is rife with sociopolitical commentary but never loses its humanity. Vimbai, a proud single mother in her mid-20s and the novel’s narrator, is the best hairdresser at Khumalo Hair and Beauty Treatment Salon until a charming and mysterious 22-year-old named Dumisami shows up to fill a vacancy. Though Mrs K, the salon’s owner, is initially skeptical about hiring the young man (“A male hairdresser, who’d ever heard of such a thing?”), Dumi quickly becomes the new favorite of both the boss and the clientele, much to Vimbai’s dismay: “To be dispensable is a woman’s worst nightmare and I was beginning to live it.” Despite this animosity, when Vimbai learns that Dumi is broke and looking for a place to live, she offers to let him rent the extra room in her home. Their relationship takes an unconventional route, and readers might find themselves a few frustrating steps ahead of Vimbai’s belated realizations, especially near the end. Through deceptively simple observations and plain prose, Huchu exposes readers to issues of classism, racism, and homophobia without ever coming across as preachy or heavy-handed. Old and new clash—think Mahfouz’s Midaq Alley—but the novel remains steadfast in its mission to show not tell and keeps its complex cast of characters at its core. The political landscape and climate of the Mugabe regime is ever present without overpowering the narrative and should inspire curious readers to do a little research of their own. 

Though at times predictable, this touching debut should not be overlooked.

Pub Date: Aug. 1, 2015

ISBN: 978-0-8214-2163-5

Page Count: 198

Publisher: Ohio Univ.

Review Posted Online: June 3, 2015

Kirkus Reviews Issue: June 15, 2015

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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THE SILENT SISTER

A compulsively readable melodrama.

After her father’s sudden death, a daughter discovers disturbing facts about a sister presumed dead more than two decades earlier.

One way or another, Lisa MacPherson, a musical prodigy, has always dominated the lives of her family. By the age of 17, she's a violin virtuoso with a bright future. Unaccountably, on a winter morning, Lisa’s kayak (though not her body) is discovered in the ice-bound Potomac near the family’s Alexandria, Virginia, home. Shortly after the tragedy, the family moves to North Carolina. Lisa’s younger siblings, Danny, 7, and Riley, 2, will be told only that Lisa suffered from depression and committed suicide. Twenty-three years later, Riley, who has become a high school guidance counselor to help depressed teens like Lisa, is settling her father Frank’s affairs after his death from a heart attack. (Her mother had succumbed to cancer years before.) While getting ready to sell his North Carolina real estate—her childhood home and a trailer park—Riley runs across several people who harbor secrets about her family’s past: Danny, a mentally troubled Iraq War vet, nurses grudges against his parents while living as a virtual hermit on the outskirts of the trailer park. Her father’s friend Tom exhibits a threatening mien. Jeannie, another family friend, appears helpful, but what is she hiding? Riley discovers that her father was paying Tom off, but why? Early on, Lisa’s voice, and her version of events, emerges. We learn that she was accused of murdering her violin teacher and was about to stand trial. Her suicide was faked by her father and Tom, both ex-U.S. Marshals skilled at making people disappear. Her father relocated her to San Diego, where, ignoring Frank’s warnings to avoid music, she found new outlets for her extraordinary talent. Although the plot is not exactly watertight, the revelations are parceled out so skillfully that disbelief remains suspended until the satisfying if not entirely plausible close.

A compulsively readable melodrama.

Pub Date: Oct. 7, 2014

ISBN: 978-1-250-01071-1

Page Count: 352

Publisher: St. Martin's

Review Posted Online: July 27, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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