Tender, if sometimes-trite, tales of Ireland adventures.
O’Leary offers two intimate novellas set in Ireland, separated by half a century.
The first novella, “An Unspoken Peace,” focuses on Conor Fenney, a young Irish American man from Chicago who yearns to connect with his ancestors’ past. In 1969, Conor attends summer school at Trinity College, where he meets his rakish, well-to-do roommate, Aidan. What results is a chronicle of concealed queer desire and grief that blurs the contours of male companionship, interspersed with detailed gestures toward Irish histories and landscapes. Fifty years later, in 2019, an unnamed, aging man in “The Galway Girl” returns to Ireland to visit the Cliffs of Moher following the death of his wife of 45 years. There he meets Brooke, a 33-year-old American woman training to be a counselor for “young people with addiction issues.” The two form an unlikely, quiet connection bounded by their limited time together as they travel through Galway for a single day. These are simple, straightforward stories that present tender moments of human connection. However, the prose is often monotonous and unvaried; the narration lacks nuance, turning something as simple as “warm stew...weak on the meat, but strong on potatoes” into Conor’s unchallenged speculation that “the cook was trying to make up for all the years the potatoes failed the Irish.” Most interestingly, the collection immediately establishes a tenuous connection between the two novellas, the first noting from its very beginning that Conor was 17 when he first visited Ireland and still reminisces about his encounter 50 years later. Meanwhile, the aging male character in “The Galway Girl” remarks that he “went to Trinity College in Dublin for a summer session right out of high school,” just as Conor does in “An Unspoken Peace.” Although there’s little elaboration upon the connections between Conor and his ostensible older self, it is perhaps this blank space between the two novellas that rings most painfully true to life—much goes unspoken, and much comes undone.
Tender, if sometimes-trite, tales of Ireland adventures.Pub Date: March 18, 2023
ISBN: 978-1733534147
Page Count: 211
Publisher: Swan Creek Press
Review Posted Online: May 30, 2023
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.
What would you do if you knew when you were going to die?
In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.Pub Date: Sept. 10, 2024
ISBN: 9780593798607
Page Count: 512
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
SEEN & HEARD
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